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Tropic of Cancer - Miller, Henry [53]

By Root 4427 0
He walks over to the bed with the bottle in his hand and pulling back the covers he sprinkles Calvados over the mattress. Not content with that he digs his heel into the mattress. Unfortunately there's no mud on his heels. Finally he takes the sheet and cleans his shoes with it. "That'll give them something to do," he mutters vengefully. Then, taking a good swig, he throws his head back and gargles his throat, and after he's gargled it good and proper he spits it out on the mirror. "There, you cheap bastards! Wipe that off when I go!" He walks back and forth mumbling to himself. Seeing his torn socks lying on the floor he picks them up and tears them to bits. The paintings enrage him too. He picks one up – a portrait of himself done by some Lesbian he knew and he puts his foot through it. "That bitch! You know what she had the nerve to ask me? She asked me to turn over my cunts to her after I was through with them. She never gave me a sou for writing her up. She thought I honestly admired her work. I wouldn't have gotten that painting out of her if I hadn't promised to fix her up with that cunt from Minnesota. She was nuts about her… used to follow us around like a dog in heat… we couldn't get rid of the bitch! She bothered the life out of me. I got so that I was almost afraid to bring a cunt up here for fear that she'd bust in on me. I used to creep up here like a burglar and the lock the door behind me as soon as I got inside… She and that Georgia cunt – they drive me nuts. The one is always in heat and the other is always hungry. I hate fucking a woman who's hungry. It's like you push a feed inside her and then you push it out again… Jesus, that reminds me of something… where did I put that blue ointment? That's important. Did you ever have those things? It's worse than having a dose. And I don't know where I got them from either. I've had so many women up here in the last week or so I've lost track of them. Funny too, because they all smelled so fresh. But you know how it is…"

The maid has piled his things up on the sidewalk. The patron looks on with a surly air. When everything has been loaded into the taxi there is only room for one of us inside. As soon as we commence to roll Van Norden gets out a newspaper and starts bundling up his pots and pans; in the new place all cooking is strictly forbidden. By the time we reach our destination all his luggage has come undone; it wouldn't be quite so embarasssing if the madam had not stuck her head out of the doorway just as we rolled up. "My God!" she exclaims, "what in the devil is all this? What does it mean?" Van Norden is so intimidated that he can think of nothing more to say than "C'est moi… c'est moi, madame!" And turning to me he mumbles savagely: "That cluck! Did you notice her face? She's going to make it hard for me."

The hotel lies back of a dingy passage and forms a rectangle very much on the order of a modern penitentiary. The bureau is large and gloomy, despite the brilliant reflections from the tile walls. There are bird cages hanging in the windows and little enamel signs everywhere begging the guests in an obsolete language not to do this and not to forget that. It is almost immaculately clean but absolutely poverty-stricken, threadbare, woebegone. The upholstered chairs are held together with wired things; they remind one unpleasantly of the electric chair. The room he is going to occupy is on the fifth floor. As we climb the stairs Van Norden informs me that Maupassant once lived here. And in the same breath remarks that there is a peculiar odor in the hall. On the fifth floor a few windowpanes are missing; we stand a moment gazing at the tenants across the court. It is getting toward dinner time and people are straggling back to their rooms with that weary, dejected air which comes from earning a living honestly. Most of the windows are wide open: the dingy rooms have the appearance of so many yawning mouths. The occupants of the rooms are yawning too, or else scratching themselves. They move about listlessly and apparently without much purpose; they

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