Troubles - James Gordon Farrell [31]
The spaniel mutely lifted a leg against an acute angle of the diamond and they set off again. The Major looked up at the great turreted wall that hung over them. They were so close to it at this point that it was impossible to gauge its size. A few yards farther on, however, they made another turn and this allowed him to see the back of the hotel which was really, in fact, the front, since the building had been designed to relate entirely to the sea. It was into the Irish Sea (and not into Ireland) that the most magnificent flight of steps led, and they were in the middle of the crescent whose curving arms spread out to embrace the distant coast of Wales across the vast expanse of windswept water. The Major was staggered to see for the first time just what this side of the crescent looked like: the extraordinary proliferation of turrets and battlements and crenellated cat-walks that hung from the building amid rusting iron balconies and French windows with drooping shutters. In the very heart of the crescent above the staircase of white stone and running from the slate roofs on one side to the slate roofs on the other was a great construction of glass which at this moment caught a stray gleam of sunlight and flared gold for a few seconds.
This, Edward was explaining, was the ballroom the Major might already have seen from the inside, a place impossible to keep warm in winter because of its glass roof. This glass roof, he went on with his eyes on his shoes, could be a bit of a problem in summer too. However (he brightened a little), in the old days it must have been really magnificent: the great Hunt Balls, the carnivals, the regattas (think of the lanterns glimmering on the yachts that bobbed at the landing-stage)... the dancing would go on until the rising sun dimmed the chandeliers and the waiters carried in silver trays steaming with bacon and kidneys and fried eggs gleaming in the sunlight and silver coffee-pots breathing wisps of steam like... like old men talking in winter, ah, but the marvellous part was that the whole thing would have been visible from above because of the glass roof, almost as if it were taking place in the open air...the nannies and the children crowding on to the balconies to watch and to listen to the violins until they, the children, became sleepy and even maybe fell asleep completely and were carried in and put to bed, not even waking up when the grey, exhausted but content grown-ups came in to kiss them good night in the early hours of the morning before themselves retiring to sleep till the afternoon, undisturbed except for memories of violins and glinting chandeliers and silk dresses and an occasional cry of a peacock (because there had been peacocks too, still were, come to that) settling on their sleeping minds as soft as rose-petals...
“Eh? Good heavens!” said the Major, astonished by this flight of fancy.
“Hm...actually, one of our guests wrote a sort of poem, you know, about how the place probably used to look in the old days. Lovely bit of work. Angela embroidered some of it for me on a cushion. I’ll show it to you later on. I think you’ll appreciate it.”
“I’m sure I shall,” agreed the Major.
The dog barked, doubtfully.
“What is it, Seán?”
A handsome, grinning young man had appeared on the steps that led up from one of the lower terraces. In his hand he swung a white feathered object which turned out to be a dead hen.
“Oh, he hasn’t killed another, has he?” Edward grabbed the mutinous spaniel by the collar and thrust the chicken under its nose. The dog whined unhappily, averting its eyes. “I know the way to cure him of this. Get some twine, Seán, and tie the hen round his neck.”
A few moments later the hen’s neck had been tied to its legs and the dog, whose name was Rover, was shaking himself violently in an effort to rid himself of his heavy white boa. Then they walked on, the Major somewhat disturbed by this administration of justice.
Dinner that night closely resembled the lugubrious meal of the