Trunk Music - Michael Connelly [112]
“Gussie and Quillen?”
“No, Quillen left. I know his voice and it wasn’t him. And I don’t think it was Gussie. I think it was Joey Marks and someone else, probably the lawyer, Torrino. Whoever it was, I heard the one man call the other Joe at one point. That’s how come I think it was Marks.”
“Okay. Go on, what did they say?”
“I couldn’t hear all of it. But one man was telling the other, the one he called Joe, what he had learned about the police investigation. About the Metro side of things, I think. And I heard the one called Joe get very angry when he was told the gun had been found at Luke Goshen’s house. And I remember his words. Very clearly. He was yelling. He said, ‘How the hell did they find the gun there when we didn’t do the goddamned hit?’ And then he said some more things about the cops planting the gun and he said, ‘You tell our guy that if this is some kind of shakedown, then he can fuck off, he can forget it.’ I didn’t hear much after that. They lowered their voices and the first guy was just trying to calm the other guy down.”
Bosch stared at her for a few moments, trying to analyze what she had overheard.
“Do you think it was a show?” he asked. “You know, put on for your benefit because they figured you’d turn around and tell me what you heard?”
“I did at first, and that’s another reason I didn’t tell you this right away,” she said. “But now I’m not so sure. When they first took me, when Quillen was driving me out there and I was asking a lot of questions, he wouldn’t answer them. But he did say one thing. All he would tell me was that they needed me for a day or two to run a test on somebody. He would explain no further. A test, that’s all he said.”
“A test?”
Bosch looked confused.
“Listen to me, Harry. I’ve done nothing but think about this since you got me out of there.”
She held up a finger.
“Let’s start with what I overheard. Let’s say it was Joey Marks and his lawyer, and let’s say it wasn’t a show but what they said was true. They didn’t put the hit on Tony Aliso, okay?”
“Okay.”
“Look at it from their perspective. They had nothing to do with this, but one of their in-close guys gets picked up for it. And from what they hear from their source in Metro, it’s looking like a slam-bang case. I mean, the cops have fingerprints and the murder weapon found right there in Goshen’s bathroom. Joey Marks has to be thinking either it’s all been planted by the cops or maybe Goshen went and did this on his own for some unknown reason. Either way, what do you think his immediate concern would be?”
“Damage control.”
“Right. He has to figure out what is going on with Goshen and what’s the damage. But he can’t because Goshen has gone and gotten himself his own attorney. Torrino has no access to him. So what Joey does instead is he and Torrino set up a test to see if the reason Goshen’s gotten his own attorney is because he’s going to talk.”
“Make a deal.”
“Right. Now, let’s say that from their source in Metro they know that the lead cop on the case has a relationship with someone they know of and have their hooks in. Me.”
“So they just take you to the safe house and wait. Because they know that if I find out where the safe house is and show up to get you, or if I call up Metro and say I know where you are, then they know Goshen is the only one who could have told me. It means he’s talking. That was the test Quillen was talking about. If I don’t show, they’re cool. It means Goshen is standing up. If I do show up, then they know they’ve got to get to Goshen in Metro right quick and put a hit on him.”
“Right, before he can talk. That’s how I figured it, too.”
“So that would mean that Aliso wasn’t really a hit — at least by Marks and his people — and that they had no idea Goshen was an agent.”
She nodded. Bosch felt the surge of energy that comes with making a huge step through the murky darkness of an investigation.
“There was no trunk music,” he said.
“What?”
“The