Trunk Music - Michael Connelly [166]
As he watched, he suddenly saw the trunk of the Cadillac spring open behind her. And from it, as if propelled by the same taut steel, jumped Powers. In a loud, wild-animal voice that Bosch heard clearly and would never forget, Powers yelled one word as he hit the ground.
“Veronica!”
As she, Felton and the driller turned to the origin of the sound, Powers raised his hands, both of them holding weapons. In that instant Bosch saw the glint of his own gun, the satin-finished Smith & Wesson, in the killer cop’s left hand.
“Gun!” Lindell yelled. “Everybody in! Everybody in!”
He jerked the car into gear and slammed his foot on the gas pedal. The car jerked forward and started screaming toward the limo. But Bosch knew there was nothing they could do. They were too far away.
He watched the scene unfold with a grim fascination, as if he were watching a slow-motion scene from a Peckinpah movie.
Powers began firing both guns, the shells ejecting and arcing away over both his shoulders as he stepped toward the limo. Felton made an attempt to go inside his jacket for his own gun but he was cut down in the fusillade, the first to drop. Then Veronica, standing perfectly still, facing her killer and making no move to run or shield herself, was hit and went down, dropping to the pavement, where Bosch couldn’t see her because the limo blocked his view.
Powers kept coming and firing. The driller dropped his toolbox, raised his hands and started stepping backward away from the line of fire. Powers apparently ignored him. Bosch couldn’t tell if he was shooting at Veronica’s fallen body or into the open door of the limo. The limo took off, its tires spinning at first without purchase before it finally started to move, the rear door still open. But almost immediately, its driver failed to negotiate the left turn in the parking lane and the big car crashed into a row of parked cars. The driver jumped out and started running in the direction of the bagel shop.
Powers seemed to pay the fleeing driver no mind. He had reached the spot where Felton had fallen to the ground. He dropped Bosch’s gun on the police captain’s chest and reached down for the bag, which was on the ground next to Felton’s hand.
It seemed that Powers did not realize the bag was empty until he had actually picked it up off the ground and held it. And as he was making this discovery, the doors of the van behind him were opened and four agents carrying shotguns were coming out. The agent in the T-shirt was coming around the side of the Cadillac, the handgun he had hidden in the engine compartment now pointed at Powers.
A squealing tire from one of the approaching bureau cars drew Powers’s attention away from the empty duffel bag. He dropped it and turned on the five agents behind him. He raised both his hands again, though he only had one gun this time.
The agents opened fire and Bosch watched as Powers was literally lifted off the ground by the force of the impact and onto the front hood of a full-sized pickup truck that probably belonged to a bank customer. Powers landed on his back. His hand lost its grip on the remaining gun and it clattered off the hood to the ground. As loud as the eight seconds of shooting had been, the silence that followed the gun falling to the ground seemed even louder.
Powers was dead. Felton was dead. Giuseppe Marconi, aka Joseph Marconi, aka Joey Marks, was dead — his body sprawled and awash in blood on the soft leather seats in the back of his limousine.
When they got to Veronica Aliso, she was alive but dying. She had been hit with two rounds in the upper chest, and the bubbles in the froth of blood in her mouth indicated her lungs had been shredded. While the FBI agents ran about securing and containing the scene, Bosch and Rider went to Veronica.
Her eyes were open but losing their moisture. They were moving all around as if searching for someone or something that wasn’t there. Her jaw started to work and she