Trunk Music - Michael Connelly [4]
“Kiz, I want you taking notes on appearance.”
“Right.”
Bosch bent further into the trunk. He saw a froth of purged blood had dried in the dead man’s mouth and nose. His hair was caked with blood which had spread over the shoulders and to the trunk mat, coating it with a coagulated pool. He could see the hole in the floor of the trunk through which blood had drained to the gravel below. It was a foot from the victim’s head and appeared to be evenly cut in the metal underlining in a spot where the floor mat was folded over. It was not a bullet hole. It was probably a drain or a hole left by a bolt that had vibrated loose and fallen out.
In the mess that was the back of the man’s head, Bosch could see two distinct jagged-edged penetrations to the lower rear skull — the occipital protuberance — the scientific name popping easily into his mind. Too many autopsies, he thought. The hair close to the wounds was charred by the gasses that explode out of the barrel of a gun. The scalp showed stippling from gunpowder. Point-blank shots. No exit wounds that he could see. Probably twenty-twos, he guessed. They bounce around inside like marbles dropped into an empty jelly jar.
Bosch looked up and saw a small spray of blood splattered on the inside of the trunk lid. He studied the spots for a long moment and then stepped back and straightened up. He appraised the entire view of the trunk now, his mind checking off an imaginary list. Because no blood drips had been found on the access road into the clearing, he had no doubts that the man had been killed here in the trunk. Still, there were other unknowns. Why here? Why no shoes and socks? Why were the bindings taken off the wrists? He put these questions aside for the time being.
“You check for the wallet?” he asked without looking at the two others.
“Not yet,” Edgar replied. “Recognize him?”
For the first time Bosch looked at the face as a face. There was still fear etched on it. The man had closed his eyes. He had known what was coming. Bosch wondered if the whitish material in the eyes was dried tears.
“No, do you?”
“Nope. It’s too messy, anyway.”
Bosch gingerly lifted the back of the leather coat and saw no wallet in the back pockets of the dead man’s pants. He then opened the jacket and saw the wallet was there in an inside pocket that carried a Fred Haber men’s shop label on it. Bosch could also see a paper folder for an airline ticket in the pocket. With his other hand he reached into the jacket and removed the two items.
“Get the lid,” he said as he backed away.
Edgar closed it over as gently as an undertaker closing a coffin. Bosch then walked over to his briefcase, squatted down and put the two items down on it.
He opened the wallet first. There was a full complement of credit cards in slots on the left side and a driver’s license behind a plastic window on the right. The name on the license said Anthony N. Aliso.
“Anthony N. Aliso,” Edgar said. “Tony for short. TNA. TNA Productions.”
The address was in Hidden Highlands, a tiny enclave off Mulholland in the Hollywood Hills. It was the kind of place that was surrounded by walls and had a guard shack manned twenty-four hours a day, mostly by off-duty or retired LAPD cops. The address went well with the Rolls-Royce.
Bosch opened the billfold section and found a sheaf of currency. Without taking the money out, he counted two one-hundred-dollar bills and nine twenties. He called the amount out so that Rider could make a note of it. Next he opened the airline folder. Inside was the receipt for a one-way ticket on an American Airlines flight