Trunk Music - Michael Connelly [40]
“I just want to see the guy gambling,” he said. “I want to get a feel for him in life.”
“I understand and, yes, the tapes are ready for viewing. I told you we wanted to cooperate completely.”
They left the office and walked down a corridor to a tech room. The room was dimly lit and very quiet except for the thrum of an air conditioner. There were six consoles arranged in two lines where men in gray blazers sat and watched banks of six video monitors per console. On the video screens Bosch could see various overhead views of gambling tables. Each console had an electronic control board that allowed the operator to change focus or magnification of a particular camera view.
“If they wanted to,” Meyer whispered, “they could tell you what cards a player is holding at any black jack table in the house. It’s amazing.”
Meyer led Bosch to a supervisor’s office off the tech room. There was more video equipment as well as a bank of tape storage units. There was a small desk and another man in a gray blazer sat behind it. Meyer introduced him as Cal Smoltz, the supervisor.
“Cal, are we set up?”
“This screen here,” Smoltz said, pointing to one of the fifteen-inch monitors. “We’ll start with Thursday. I had one of the dealers come in and ID your guy. He shows up at eight-twenty on Thursday and plays until eleven.”
He started the tape. It was grainy black and white, similar to the quality of the Archway surveillance tape, but this one was filmed in real time. No jerking movements. It began with the man Bosch recognized as Aliso being led to an open chair at a table by a pit boss. The pit boss carried a rack of chips which he put down on the table in front of Aliso’s spot. Aliso nodded and exchanged smiles with the dealer, a woman Bosch had interviewed earlier, and began to play.
“How much in the rack?” Bosch asked.
“Five hundred,” Smoltz said. “I’ve already gone through this on fast speed. He never buys another rack and at the end when he cashes out, he looks like he’s just shy of a full rack. You want it on real time or fast speed?”
“Speed it up.”
Bosch watched closely as the tape sped through the hours. He saw Aliso take four gin and tonics, fold early on most of the deals, win five big pots and lose six others. It was pretty uneventful. Smoltz slowed the tape down when the time counter neared eleven, and Bosch watched as Aliso called for the pit boss, cashed out and left the frame of the camera.
“Okay,” Smoltz said. “On Friday, we have two tapes.”
“How come?” Bosch asked.
“He played at two tables. When he first showed up, there wasn’t a seat open at the five-and-dime table. We only have one because there aren’t that many customers who want to play for those stakes. So he played on a one-to-five until something came open. This tape is the one-to-five, the cheaper table.”
Another video began and Bosch watched as Aliso went through the same motions as in the other tape. This time, Bosch noticed, Aliso was wearing the leather sports jacket. He also noticed that while Aliso exchanged the routine nod and smile with the dealer, he thought he saw Aliso nod at a player across the table. It was a woman and she nodded back. But the angle of the camera was bad and Bosch could not see her face. He told Smoltz to keep it on real-time play and he watched the tape for a few minutes, waiting to see if any other acknowledgment would pass between the two players.
It appeared that no further communication was occurring between the two. But five minutes into the tape a dealer rotation occurred, and when the new dealer sat down, also a woman Bosch had interviewed an hour earlier, she acknowledged both Aliso and the woman across the table from him.
“Can you freeze it there?” Bosch asked.
Without answering, Smoltz froze the image on the screen.
“Okay,” Bosch said. “Which dealer is that?”
“That’s Amy Rohrback. You talked to her.”
“Right. Hank, could you bring her back up here?”
“Uh, sure. Can I ask why?”
“This player,” Bosch said, pointing on the screen to the