Twice Dead - Catherine Coulter [213]
And she walked past him to follow the signs to Baggage Claim.
Simon didn’t own a car, had never felt the need to, so they took a taxi to East Seventy-ninth, between First and Second. He assisted her out of the cab, took her purse and suitcase, grunted because it had to weigh seventy pounds, and said, “This is it. I’ve got a nice guest room with its own bath. You should be comfortable until you wise up and go back home. How are they doing on that cult case in Texas? They got him yet? Wilbur Wright?”
“Not yet. What Dillon does is feed all the pertinent information into protocols he developed for the CAU—Criminal Apprehension Unit. Put that eyebrow back down. So you already know what he does and how he does it.”
“I should have asked, has MAX got Wilbur yet?”
“MAX found out that Wilbur Wright is Canadian, that he attended McGill University, that he’s a real whiz at cellular biology, and that his real name is Anthony Carpelli—ancestry, Sicily. Oh my, Simon, this is very lovely.”
Lily stepped into a beautifully marbled entryway, and felt like she’d stepped back into the 1930s. The feel was all Art Deco—rich dark wood paneling, lamps in geometric shapes, a rich Tabriz carpet on the floor, furniture right out of the Poirot series on PBS.
“I bought it four years ago, after I got a really healthy commission. I knew the old guy who’d owned it for well nigh on to fifty years, and he gave me a good deal. Most of the furnishings were his. I begged and he finally sold me most of them. Neat, huh?”
“Very,” she said, a vast understatement. “I want to see everything.”
There was even a small library, bookshelves to the ceiling with one of those special library ladders. Wainscoting, leather furniture, rich Persian carpets on the dark walnut floor. He didn’t show her his bedroom, but guided her directly to a large bedroom at the end of the hall. All of the furniture was a rich Italian Art Deco, trimmed with glossy black lacquer. Posters from the 1930s covered the walls. He put her suitcase on the bed and turned. She said, shaking her head, “You are so modern, yet here you are in this museum of a place that actually looks lived in. This is a beautiful room.”
“Wait till you see the bathroom.”
He didn’t tell her that he was leaving until he had the key in his hand that evening at 10:30.
“I’m meeting a guy with information. No, you’re not coming with me.”
“All right.”
He distrusted her, she could see it, and she smiled. “Look, Simon, I’m not lying. I’m not going to sneak out after you and follow you like some sort of idiot. I’m really tired. You can go hear what your informant has to say. Be careful. When you get back, I’ll still be awake. Tell me what you find out, okay?”
He nodded and was at the Plaza Hotel by ten minutes to eleven.
LouLou was there, pacing back and forth along the park side of the Plaza, beautifully dressed, looking like a Mafia don. The uniformed Plaza doormen paid him little attention.
He nodded to Simon, motioned to the entrance to the Plaza’s Oak Room Bar. It was dark and rich, filled with people and conversation. They found a small table, ordered two beers. Simon leaned back, crossing his arms over his chest. “How’s it going, LouLou?”
“Can’t complain. Hey, this beer on you? Drinks aren’t cheap here, you know?”
“Since we’re in New York, I figured the Oak Room would be our venue. Yeah, I’m paying for the beer. Now, what have you got for me?”
“I found out that Abe Turkle did the Elliotts. Talk is he had a contract to do eight of them. Do you know anything about which eight?”
“Yeah, I do, but you don’t need to know any more. I would have visited Abe Turkle second. You sure it’s not Billy Gross?”
“He’s sick—his lungs—probably cancer. He’s always smoked way too much. Anyway, he took all his money and went off to Italy. He’s down living on the Amalfi Coast, nearly dead. So it’s Abe who’s your guy.”
“And