Unaccustomed Earth - Jhumpa Lahiri [27]
He appeared without warning, never phoning beforehand but simply knocking on the door the way people did in Calcutta and calling out “Boudi!” as he waited for my mother to let him in. Before we met him, I would return from school and find my mother with her purse in her lap and her trench coat on, desperate to escape the apartment where she had spent the day alone. But now I would find her in the kitchen, rolling out dough for luchis, which she normally made only on Sundays for my father and me, or putting up new curtains she’d bought at Woolworth’s. I did not know, back then, that Pranab Kaku’s visits were what my mother looked forward to all day, that she changed into a new sari and combed her hair in anticipation of his arrival, and that she planned, days in advance, the snacks she would serve him with such nonchalance. That she lived for the moment she heard him call out “Boudi!” from the porch and that she was in a foul humor on the days he didn’t materialize.
It must have pleased her that I looked forward to his visits as well. He showed me card tricks and an optical illusion in which he appeared to be severing his own thumb with enormous struggle and strength and taught me to memorize multiplication tables well before I had to learn them in school. His hobby was photography. He owned an expensive camera that required thought before you pressed the shutter, and I quickly became his favorite subject, round-faced, missing teeth, my thick bangs in need of a trim. They are still the pictures of myself I like best, for they convey that confidence of youth I no longer possess, especially in front of a camera. I remember having to run back and forth in Harvard Yard as he stood with the camera, trying to capture me in motion, or posing on the steps of university buildings and on the street and against the trunks of trees. There is only one photograph in which my mother appears; she is holding me as I sit straddling her lap, her head tilted toward me, her hands pressed to my ears as if to prevent me from hearing something. In that picture, Pranab Kaku’s shadow, his two arms raised at angles to hold the camera to his face, hovers in the corner of the frame, his darkened, featureless shape superimposed on one side of my mother’s body. It was always the three of us. I was always there when he visited. It would have been inappropriate for my mother to receive him in the apartment alone; this was something that went without saying.
They had in common all the things she and my father did not: a love of music, film, leftist politics, poetry. They were from the same neighborhood in North Calcutta, their family homes within walking distance, the facades familiar to them once the exact locations were described. They knew the same shops, the same bus and tram routes, the same holes-in-the-wall for the best jelabis and moghlai parathas. My father, on the other hand, came from a suburb twenty miles outside Calcutta, an area that my mother considered the wilderness, and even in her bleakest hours of homesickness she was grateful that my father had at least spared her a life in the stern house of her in-laws, where she would