Uncle Montague's Tales of Terror - Chris Priestley [37]
She remembered, too, how she had secretly visited her grandmother, getting in by the garden door, and persuaded the old woman to show her something in her bedroom, only to push her down the stairs and sneak out before any of the servants realised she had even been there - or so she had thought. But a neighbour had seen her and called the police.
She remembered holding the pillow down on Agnes's face and how her hands had searched blindly for Christina's arms and clutched at them, trying to pull them off, until finally they had grown limp and fallen lifeless at her sides.
Christina did not hang for her crimes as she might have done. It was decided that she was not of a sufficiently sound mind to be labelled a murderess. Her mother's inheritance was put to good use providing the best care at the very best asylum, and Christina's last wish was granted. She had a room of her own for the rest of her life.
Uncle Montague leaned forward, the firelight dancing in his eyes, smiling rather inappropriately considering the grimness of the tale he had just finished.
I looked across to the gilt frame hanging on the wall. If my uncle truly did believe that this frame was haunted in some way - that this frame was really the frame in the story and that story was true - then why on earth would he choose to have it on the wall of his study? I told myself that it spoke more of the irrational state of my uncle's mind than it did of the object, and yet once I turned away from the gilt frame, I had no desire to look again.
I licked my lips, my mouth feeling strangely dry, and my uncle offered me another cup of tea, which I gratefully accepted. All this tea, though, had its inevitable effect, and I excused myself in order to pay a visit to the lavatory.
In truth, I was never very keen on leaving my uncle's study alone and so put off such visits until I was on the point of doing myself some sort of mischief and almost had to run down the dark corridor to what my uncle always called the 'water closet'.
Uncle Montague gave me a light to guide my way, of course, but though this banished some of the darkness ahead of me, I was all too aware of the awful blackness behind me.
And locked inside the cramped lavatory I did not feel any more secure. There was a hole under the washbasin that I always found unsettling, having always had the foolish impression that something was peeping out and then retracting back into the shadows when I glanced down. A large web per- petually occupied a corner of the ceiling, though I never saw its maker.
As soon as I was done and my hands washed as well as they could be in the coffee-coloured water that ran from my uncle's taps, I moved to unbolt the door - I always ensured the bolt was fully home - and make the return journey with as much urgency as the outward bound one.
But just as I was about to pull back the bolt, the door handle was given a vigorous rattle from the outside. The noise and sudden movement of the handle startled me to such a degree that I almost fell backwards on to the lavatory seat.
'Hello?' I said. 'Uncle?'
Again the door handle was given a shake and the door was pulled with such strength I feared the bolt would not hold.
'Franz?' I said. 'I shall only be a moment.'
A long period of silence followed where I pressed my ear to the door and tried to detect any activity outside. I could not rightly say what disturbed me more - the rattling at the door, or the fact that it seemed so disembodied. What I did know was that I could not stay in the lavatory for ever.
I slid the bolt and opened the door. Peeping nervously out, I looked one way up the long corridor and then the other. For as far as I could see - which was not far - there was nothing to see. I stepped out and began at once to march off in the direction of my uncle's study.
As ridiculous as it may sound, I was invariably seized with a strange dread of losing my way in that house. This sense of foreboding was heightened by the fact that I would be pursued by the mournful noise