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Under The Net - Iris Murdoch [108]

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allowed in without anyone else being put on my track. Then there was a back door which led out of Corelli I into a yard where coal and bicycles were kept. This was the door which I normally used. But I knew, from something that Stitch had said, that this door was locked at ten; and doubtless the same applied to any other back doors the place might turn out to have. There was always of course the entrance through the Accident Wards, where emergency cases were brought in. But this entrance would be garrisoned too, so that there would be precious little chance of slipping through unobserved; and one mistake would be fatal. The only possibility was to come in through a window; and if I were going to do that, I must decide which window to use, and go and open it straight away. I put on my coat and began to walk slowly down the main stairs. My head was in a turmoil. The side of the building which faced the bicycle yard had lights upon it which were kept burning all night. Anyone trying to enter from the yard would be clearly in view from the street. The ends of the Transepts came into the radius of the street lamps, and the main building had its own row of lamp-posts which encircled the main courtyard. There remained the Transept gardens, which were wells of darkness. Most of the windows which opened on to these gardens were the windows of patients' rooms. It was impossible to think of entering through one of these; for even if I had had the nerve to go now and satisfy myself that one of these windows was open, I had certainly not the nerve to re-enter through it at two a. m. and run the risk of being pursued by the screams of some nervous inmate. There were other possibilities, such as the scullery window of Corelli I. But this would fall too much under the eye of the Corelli I Night Sister, whose room was next door to the scullery; and the same objection applied to the other windows which led from the garden into the administrative rooms of the ward. My only hope lay in the more anonymous and public parts of the Transept, round about the Transept Kitchen. It was true that there was likely to be somebody in and around the kitchen all night; but there was a number of cloak rooms and store rooms round about which seemed to be derelict and unvisited even during the day, and whose windows lay at the very end of the garden, where it would be darkest. On reaching the bottom of the stairs I turned, with an air of conspicuous casualness, towards the Transept Kitchen. When I am up to something I find it very hard to realize that I probably look no different from the way I look on other occasions. I felt sure that the expression of my face must be betraying me, and whenever I passed anyone in the corridor I turned this tell-tale surface in the other direction. I walked firmly past the door of the kitchen. The upper half of the door was made of plain glass, and out of the corner of my eye I could see figures moving about within. I selected a door two or three farther on, and turned into it sharply. I had remembered right. It was a store room, against each wall of which the iron frames of bedsteads were leaning ten deep. I closed the door quietly behind me, and walked down the aisle in the middle of the room. In a square of sun and shade the garden was revealed and the rows of cherry trees. The shadow from the Corelli side fell sharply across the lawn, and cut it into two triangles of contrasting greens. I stood for a moment looking out. Then I unlatched the window. It was a simple casement window with one catch halfway up the frame and a perforated bar at the bottom which regulated the aperture. I unpinned the window and undid the catch, opening the window an inch or two, so that the catch rested against the glass on the outside. I didn't want the window to look as if it were undone; and on the other hand I wanted to be certain that I should be able to pull it open from the outside when the time came. It took me some minutes to satisfy myself that both these conditions were met. Then I marked the position of the window carefully in relation
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