Under the Volcano - Malcolm Lowry [13]
"The rainy season dies hard," M. Laruelle smiled as they elbowed their way through into a little cantina which abutted on the cinema without sharing its frontal shelter. The cantina, known as the Cervecería XX, and which was also Vigil's "place where you know," was lit by candles stuck in bottles on the bar and on the few tables along the walls. The tables were all full.
"Chingar," the manager said, under his breath, preoccupied, alert, and gazing about him: they took their places standing at the end of the short bar where there was room for two. "I am very sorry the function must be suspended. But the wires have decomposed. Chingado. Every blessed week something goes wrong with the lights. Last week it was much worse, really terrible. You know we had a troupe from Panama City here trying out a show for Mexico."
"Do you mind my--"
"No, hombre," laughed the other--M. Laruelle had asked Sr Bustamente, who'd now succeeded in attracting the barman's attention, hadn't he seen the Orlac picture here before and if so had he revived it as a hit. "¿--uno--?"
M. Laruelle hesitated: "Tequila" then corrected himself: "No, anís--anís, por favor, señor."
"Y una--ah--gaseosa," Sr Bustamente told the barman. "No, señor," he was fingering appraisingly, still preoccupied, the stuff of M. Laruelle's scarcely wet tweed jacket. "Compañero, we have not revived it. It has only returned. The other day I show my latest news here too: believe it, the first newsreels from the Spanish war, that have come back again."
"I see you get some modern pictures still though," M. Laruelle (he had just declined a seat in the autoridades box for the second showing, if any) glanced somewhat ironically at a garish three-sheet of a German film star, though the features seemed carefully Spanish, hanging behind the bar: La simpatiquísima y encantadora María Landrock, notable artista alemana que pronto habremos de ver en sensacional Film.
"--un momentito, señor. Con permiso..."
Sr Bustamente went out, not through the door by which they had entered, but through a side entrance behind the bar immediately on their right, from which a curtain had been drawn back, into the cinema itself. M. Laruelle had a good view of the interior. From it, exactly indeed as though the show were in progress, came a beautiful uproar of bawling children and hawkers selling fried potatoes and frijoles. It was difficult to believe so many had left their seats. Dark shapes of pariah dogs prowled in and out of the stalls. The lights were not entirely dead: they glimmered, a dim reddish orange, flickering. On the screen, over which clambered an endless procession of torchlit shadows, hung, magically projected upside down,, a faint apology for the "suspended function"; in the autoridades box three cigarettes were lit on one match. At the rear where reflected light caught the lettering SALIDA of the exit he just made out the anxious figure of Sr Bustamente taking to his office. Outside it thundered and rained. M. Laruelle sipped his water-clouded anís which was first greenly chilling then rather nauseating. Actually it was not at all like absinthe. But his tiredness had left him and he began to feel hungry. It was already seven o'clock. Though Vigil and he would probably dine later at the Gambrinus or Charley's Place. He selected, from a saucer, a quarter lemon and sucked it reflectively, reading a calendar which, next to the enigmatic María Landrock, behind the bar portrayed the meeting of Cortez and Montezuma in Tenochtitlán: El último Emperador Azteca, it said below, Moctezuma y Hernán Cortes representativo de la raza hispana, quedan frente a frente: dos razas y dos civilizaciones que habían llegado a un