Under the Volcano - Malcolm Lowry [46]
"Do you remember your song, I won't sing it: 'No work has been done by the little cat, no work has been done by the big cat, no work has been done, by any-one!'" the Consul heard himself ask; tears of sorrow came to his eyes, he removed his dark glasses quickly and buried his face on her shoulder. No, but Hugh, she began--"Never mind Hugh" he had not meant to elicit this, to thrust her back against the pillows; he felt her body stiffen, becoming hard and cold. Yet her consent did not seem from weariness only, but to a solution for one shared instant beautiful as trumpets out of a clear sky...
But he could feel now, too, trying the prelude, the preparatory nostalgic phrases on his wife's senses, the image of his possession, like that jewelled gate the desperate neophyte, Yesod-bound, projects for the thousandth time on the heavens to permit passage of his astral body, fading, and slowly, inexorably, that of a cantina, when in dead silence and peace it first opens in the morning, taking its place. It was one of those cantinas that would be opening now, at nine o'clock: and he was queerly conscious of his own presence there with the angry tragic words, the very words which might soon be spoken, glaring behind him. This image faded also: he was where he was, sweating now, glancing once--but never ceasing to play the prelude, the little one-fingered introduction to the unclassifiable composition that might still just follow--out of the window at the drive, fearful himself lest Hugh appear there, then he imagined he really saw him at the end of it coming through the gap, now that he distinctly heard his step in the gravel... No one. But now, now he wanted to go, passionately he wanted to go, aware that the peace of the cantina was changing to its first fevered preoccupation of the morning: the political exile in the corner discreetly sipping orange crush, the accountant arriving, accounts gloomily surveyed, the iceblock dragged in by a brigand with an iron scorpion, the one bartender slicing lemons, the other, sleep in his eyes, sorting beer bottles. And now, now he wanted to go, aware that the place was filling with people not at any other time part of the cantina's community at all, people eructating, exploding, committing nuisances, lassoes over their shoulders, aware too of the debris from the night before, the dead matchboxes, lemon peel, cigarettes open like tortillas, the dead packages of them swarming in filth and sputum. Now that the clock over the mirror would say a little past nine, and the news-vendors of La Prensa and El Universal were stamping in, or standing in the corner at this very moment before the crowded grimed mingitorio with the shoeblacks who carried their shoe-stools in their hands, or had left them balanced between the burning foot-rail and the bar, now he wanted to go! Ah none but he knew how beautiful it all was, the sunlight, sunlight, sunlight flooding the bar of El Puerto del Sol, flooding the watercress and oranges, or falling in a single golden line as if in the act of conceiving a God, falling like a lance straight into a block of ice--
"Sorry, it isn't any good I'm afraid." The Consul shut the door behind him and a small rain of plaster showered on his head. A Don Quixote fell from the wall. He picked up the sad straw knight...
And then the whisky bottle: he drank fiercely from it.
He had not forgotten his glass however, and into it he was now pouring himself chaotically a long drink of his strychnine mixture, half by mistake, he'd meant to pour the whisky. "Strychnine is an aphrodisiac. Perhaps it will take immediate effect. It still may not be too late." He had sunk through, it almost felt, the green cane rocking-chair.
He just managed to reach his glass left on the tray and held it now in his hands, weighing it, but--for he was trembling again, not slightly, but violently, like a man with Parkinson's disease or palsy--unable to bring