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U.S.A_ - John Dos Passos [1]

By Root 8620 0
their long night runs over roaring highways, whisper down sandy byroads past wornout farms, joining up cities and fil -ingstations, roundhouses, steamboats, planes groping along airways; words cal out on mountain pastures, drift slow down rivers widening to the sea and the

hushed beaches.

It was not in the long walks through jostling

crowds at night that he was less alone, or in the train-ing camp at Al entown, or in the day on the docks at Seattle, or in the empty reek of Washington City hot boyhood summer nights, or in the meal on Market

Street, or in the swim off the red rocks at San Diego, or in the bed ful of fleas in New Orleans, or in the cold razorwind off the lake, or in the gray faces trem-bling in the grind of gears in the street under Michigan Avenue, or in the smokers of limited expresstrains, or walking across country, or riding up the dry mountain canyons, or the night without a sleepingbag among

frozen beartracks in the Yel owstone, or canoeing Sun-days on the Quinnipiac;

-vi-but in his mother's words tel ing about longago, in his father's tel ing about when I was a boy, in the kidding stories of uncles, in the lies the kids told at school, the hired man's yarns, the tal tales the dough-boys told after taps; it was the speech that clung to the ears, the link that tingled in the blood; U. S. A.

U. S. A. is the slice of a continent. U. S. A. is a group of holding companies, some aggregations of trade unions, a set of laws bound in calf, a radio network, a chain of moving picture theatres, a column of stock-quotations rubbed out and written in by a Western Union boy on a blackboard, a publiclibrary ful of old newspapers and dogeared historybooks with protests

scrawled on the margins in pencil. U. S. A. is the

world's greatest riverval ey fringed with mountains and hil s, U. S. A. is a set of bigmouthed officials with too many bankaccounts. U. S. A. is a lot of men buried in their uniforms in Arlington Cemetery. U. S. A. is the letters at the end of an address when you are away from home. But mostly U. S. A. is the speech of the people.

-vii-THE 42nd PARALLEL

-iii-CONTENTS

NEWSREEL I It was that emancipated race

3

The Camera Eye (1) when you walk along

the street you have to step carefully always

5

MAC

6

The Camera Eye (2) we hurry wallowing

like in a boat

13

MAC

14

NEWSREEL II Come on and hear

23

The Camera Eye (3) O qu'il a des beaux yeux

said the lady

24

LOVER OF MANKIND

26

The Camera Eye (4) riding backwards through

the rain

28

MAC

29

NEWSREEL III "It takes nerve to live in this world" 54

The Camera Eye (5) and we played the battle

of Port Arthur

55

NEWSREEL IV I met my love in the Alamo

56

The Camera Eye (6) Go it go it said Mr.

Linwood

57

NEWSREEL V BUGS DRIVE OUT BIOLOGIST

58

MAC

58

NEWSREEL VI Paris Shocked At Last

80

-v-The Camera Eye (7) skating on the pond next

the silver company's mills

81

THE PLANT WIZARD

82

NEWSREEL VII SAYS THIS IS CENTURY WHERE

BILLIONS AND BRAINS ARE TO RULE

84

The Camera Eye (8) you sat on the bed un-

lacing your shoes

85

MAC

86

The Camera

Eye (9) all

day the

fertilizer-

factories

smelt

something

awful

92

BIG BILL

93

The Camera

Eye (10) the

old major

who

used to take

me to the

Capitol

96

MAC

98

NEWSREEL

VIII Prof

Ferrer,

former

director of

the Modern

10

School

7

The Camera

Eye (11) the

Pennypacker

s went

to the

Presbyterian 10

church

8

NEWSREEL

IX FORFEIT

STARS BY

10

DRINKING

9

MAC

110

The Camera

Eye (12)

when

everybody

went

away for a

12

trip

9

NEWSREEL

X MOON'S

PATENT IS 13

FIZZLE

0

The Camera

Eye (13) he

was a

towboat cap-

tain and he

knew the

13

river

1

JANEY

133

-vi-NEWSREEL XI the government of the United

States must insist

148

JANEY

150

The Camera

Eye (15) in the

mouth of the

Schuylkill

166

NEWSREEL

XII Greeks in

battle flee

before cops

167

THE BOY

ORATOR OF

THE

PLATTE

169

The Camera

Eye (16) it was

hot as a bake-

oven going

through the

canal

173

J. WARD

17

MOOREHOUSE 4

The Camera

Eye (17) the

spring you

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