Voyager - Diana Gabaldon [147]
I swallowed the last rich, sweet bite of my old life, and crumpled the wrapper in my hand. I glanced around, but no one was looking in my direction. I opened my hand, and let the bit of plastic film fall surreptitiously to the ground. Wadded up, it rolled a few inches on the cobbles, crinkling and unfolding itself as though alive. The light wind caught it, and the small transparent sheet took sudden wing, scudding over the gray stones like a leaf.
The draft of a set of passing wheels sucked it under a drayman’s cart; it winked once with reflected light, and was gone, disappearing without notice from the passersby. I wondered whether my own anachronistic presence would cause as little harm.
“You are dithering, Beauchamp,” I said to myself. “Time to get on.” I took a deep breath and stood up.
“Excuse me,” I said, catching the sleeve of a passing baker’s boy. “I’m looking for a printer—a Mr. Malcolm. Alexander Malcolm.” A feeling of mingled dread and excitement gurgled through my middle. What if there was no printshop run by Alexander Malcolm in Edinburgh?
There was, though; the boy’s face screwed up in thought and then relaxed.
“Oh, aye, mum—just down the way and to your left. Carfax Close.” And hitching his loaves up under his arm with a nod, he plunged back into the crowded street.
Carfax Close. I edged my way back into the crowd, pressing close to the buildings, to avoid the occasional shower of slops that splattered into the street from the windows high above. There were several thousand people in Edinburgh, and the sewage from all of them was running down the gutters of the cobbled street, depending on gravity and the frequent rain to keep the city habitable.
The low, dark opening to Carfax Close yawned just ahead, across the expanse of the Royal Mile. I stopped dead, looking at it, my heart beating hard enough to be heard a yard away, had anyone been listening.
It wasn’t raining, but was just about to, and the dampness in the air made my hair curl. I pushed it off my forehead, tidying it as best I could without a mirror. Then I caught sight of a large plate-glass window up ahead, and hurried forward.
The glass was misty with condensation, but provided a dim reflection, in which my face looked flushed and wide-eyed, but otherwise presentable. My hair, however, had seized the opportunity to curl madly in all directions, and was writhing out of its hairpins in excellent imitation of Medusa’s locks. I yanked the pins out impatiently, and began to twist up my curls.
There was a woman inside the shop, leaning across the counter. There were three small children with her, and I watched with half an eye as she turned from her business to address them impatiently, swatting with her reticule at the middle one, a boy who was fiddling with several stalks of fresh anise that stood in a pail of water on the floor.
It was an apothecary’s shop; glancing up, I saw the name “Haugh” above the door, and felt a thrill of recognition. I had bought herbs here, during the brief time I had lived in Edinburgh. The decor of the window had been augmented sometime since by the addition of a large jar of colored water, in which floated something vaguely humanoid. A fetal pig, or perhaps an infant baboon; it had leering, flattened features that pressed against the rounded side of the jar in a disconcerting fashion.
“Well, at least I look better than you!” I muttered, shoving in a recalcitrant pin.
I looked better than the woman inside, too, I thought. Her business concluded, she was stuffing her purchase into the bag she carried, her thin face frowning as she did so. She had the rather pasty look of a city dweller, and her skin was deeply lined, with sharp creases running from nose to mouth, and a furrowed forehead.
“De’il tak’ ye, ye wee ratten,” she was saying crossly to the little boy as they all clattered out of the shop together. “Have I no told ye time and again to keep yer