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War is a Force That Gives Us Meaning - Chris Hedges [25]

By Root 859 0
ferocity. It does so after the lies and absurdities that surround it become too hard to sustain. They collapse under their own weight. The contradictions and torturous refusal to acknowledge the obvious becomes more than a society is able to bear. The collapse is usually followed by a blanket refusal, caused by shame and discomfort, to examine or acknowledge the crimes carried out in the name of nationalist cause.

By the time British forces had landed on the Falklands and were rolling over the poorly supplied and ill-clad Argentine soldiers, the Argentine public had retreated into a mythic world that was not unfamiliar to Germans in the last days of the Third Reich. There was no hint in the national press that the Argentine forces were being defeated. It appeared that the British were losing the war. When the Argentine forces surrendered it hit the country like a tidal wave.

Curiously, it was not that Argentines believed their own propaganda. Many told me that they understood that much what they saw and heard in their own press was a lie. They could tune in the BBC broadcasts. They knew what the British were saying about the war. But they assumed, with a mixture of gullibility and cynicism, that each side was lying. They preferred to pick and choose. They regularly dismissed some of their own propaganda, but not the central message—that Argentina was triumphant.

The fall of the islands sent hundreds of thousands of enraged Argentines to the Plaza de Mayo in front of the Casa Rosada in Buenos Aires to demand weapons to fight. Foreign reporters were attacked, their cars overturned and burned. When a group of toughs cornered me in an alley, I was spared when I told them I was German, a fabrication they bought—convinced, I suspect, by my blond hair.

All of that rage should have been directed against the government, but instead it was turned on the foreign conspirators who were arrayed against the Argentine nation. Even in defeat, the Argentines could not let go of the nationalist myth. The next morning the government-controlled press began to explain what happened. What happened, it said, was that Argentina had been betrayed by the United States. “We can defeat one superpower,” a front-page article read, “but we can not defeat two.”

And then, in the days after the defeat, the myth suddenly vanished. My Argentine friends picked up where they had left off, as if there never had been a war, as if the collective intoxication was nothing more than a bad dream, a drunken night of debauchery best forgotten and impolitic to mention. One felt dirty to bring it up. I woke up one morning after the surrender and I was no longer a freak. Argentines were again able to grasp reality and respond to it. The junta, whose members should have been imprisoned, especially given the downward spiral that soon beset the economy, was allowed to fade away. No one really wanted to be reminded of the whole affair.

The novelist Marguerite Duras, who as a member of the French resistance during World War II took part in the torture of collaborators, wrote of such a moment. “Peace is visible already,” she wrote. “It’s like a great darkness falling, it’s the beginning of forgetting. You can see already . . . I went out, peace seemed imminent. I hurried back home, pursued by peace. It had suddenly struck me that there might be a future, that a foreign land was going to emerge out of this chaos where no one would wait any more.”4

This blanket amnesia is often part of the aftermath of war. The puncturing of the nationalist myth, an event that saw the Serbs turn their back on Milošević once Kosovo was lost, does not mean, however, that the nationalist virus has been conquered. While the excesses carried out in the name of the nationalist cause are forgotten or ignored, the myth of the nation has a disturbing longevity. It lies dormant, festering in the society, nurtured by boys’ adventure stories of heroism in service to the nation, the monuments we erect to the fallen, and carefully scripted remembrances until it slowly slouches back into respectability.

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