WATER FOR ELEPHANT [20]
“Excuse me, ma’am,” I say, wedging my shoulder between the two women ahead of me.
“Hey, mister! What’s your hurry?”
“Excuse me. Beg your pardon,” I say, pushing my way out.
Cecil and a red-faced man are squaring off. The man advances, places both hands on Cecil’s chest, and shoves him backward. The crowd parts, and Cecil crashes against the striped skirt of his platform. The patrons close in behind, standing on tiptoe, gawking.
I launch myself through them, reaching Cecil just as the other man hauls off and swings—his fist is but an inch or two from Cecil’s chin when I snatch it from the air and twist it behind his back. I lock an arm around his neck and drag him backward. He sputters, reaching up and clawing my forearm. I tighten my grip until my tendons dig into his windpipe and half-drag, half-march him to beyond the end of the midway. Then I chuck him into the dirt. He lies in a cloud of dust, wheezing and grasping his throat.
Within seconds, two suited men breeze past me, lift him by the arms and haul him, still coughing, toward town. They lean into him, pat his back, and mutter encouragement. They straighten his hat, which has miraculously stayed in place.
“Nice work,” says Wade, clapping a hand on my shoulder. “You done good. Come on back. They’ll take care of it from here.”
“Who are they?” I say, examining the row of long scratches, beaded with blood, on my forearm.
“Patches. They’ll calm him down and make him happy. That way we won’t catch any heat.” He turns to address the crowd, clapping once—loudly—and then rubbing his hands in front of him. “Okay, folks. Everything’s fine. Nothing more to see here.”
The crowd is reluctant to leave. When the man and his escorts finally disappear behind a redbrick building they start to dribble away, but continue to glance hopefully over their shoulders, afraid they’ll miss something.
Jimmy pushes his way through the stragglers.
“Hey,” he says. “Cecil wants to see you.”
He leads me through to the back end. Cecil sits on the very edge of a folding chair. His legs and spat-clad feet stick straight out. His face is red and moist, and he fans himself with a program. His free hand pats various pockets and then reaches into his vest. He pulls out a flat, square bottle, curls his lips back, and pulls the cork out with his teeth. He spits it off to the side and tips the bottle up. Then he catches sight of me.
He stares for a moment, the bottle poised at his lips. He lowers it again, resting it on his rounded belly. He drums his fingers against it, surveying me.
“You handled yourself pretty well out there,” he says finally.
“Thank you, sir.”
“Where’d you learn that?”
“Dunno. Football. School. Wrangling the odd bull who objected to losing his testicles.”
He watches me a moment longer, fingers still drumming, lips pursed. “Camel got you on the show yet?”
“Not officially. No sir.”
There’s another long silence. His eyes narrow to slits. “Know how to keep your mouth shut?”
“Yes sir.”
He takes a long slug from his bottle and relaxes his eyes. “Well, okay then,” he says, nodding slowly.
IT’S EVENING, AND WHILE the kinkers are delighting the crowd in the big top I’m standing near the back of a much smaller tent on the far edge of the lot, behind a row of baggage wagons and accessible only through word of mouth and a fifty-cent admission fee. The interior is dim, illuminated by a string of red bulbs that casts a warm glow on the woman methodically removing her clothes.
My job is to maintain order and periodically smack the sides of the tent with a metal pipe, the better to discourage peeping toms; or rather, to encourage peeping toms to come around front and pay their fifty cents. I am also supposed to keep a lid on the kind of behavior I witnessed at the sideshow earlier, although I can’t help thinking that the fellow who was so upset this afternoon would find little to complain about here.
There are twelve rows of folding chairs, every one of them occupied.