WATER FOR ELEPHANT - Sara Gruen [118]
“I’ve done what I could,” says Uncle Al. He takes the cigar from his lips, looks at it, and then picks a piece of tobacco from his tongue. He flicks it against the wall, where it sticks.
“Well, it’s not enough,” I say. “He follows her around. He yells at her. He cries outside her window. She’s scared of him. Having Earl follow him around and haul him off whenever he gets out of hand is not enough. Would you go back to him if you were her?”
Uncle Al stares at me. I suddenly realize I’ve been yelling.
“I’m sorry,” I say. “I’ll work on her. I swear, if you can just get him to leave her alone for a few more days—”
“No,” he says quietly. “We’re going to do it my way now.”
“What?”
“I said we’re going to do it my way. You can leave now.” He flicks the ends of his fingers toward the door. “Go.”
I stare at him, blinking stupidly. “What do you mean, your way?”
Next thing I know, Earl’s arms encircle me like a steel band. He lifts me from the chair and carries me to the door. “What do you mean, Al?” I shout over Earl’s shoulder. “I want to know what you mean! What are you going to do?”
Earl handles me significantly more gently once he’s closed the door. When he finally sets me on the gravel, he brushes off my jacket.
“Sorry, pal,” he says. “I really did try.”
“Earl!”
He stops and turns back to me, his face grim.
“What’s he got in mind?”
He looks at me but says nothing.
“Earl, please. I’m begging you. What’s he going to do?”
“I’m sorry, Jacob,” he says. He climbs back inside the train.
QUARTER TO SEVEN, fifteen minutes to showtime. The crowd mills around the menagerie, viewing the animals on their way to the big top. I’m standing by Rosie, supervising as she accepts donations of candy, gum, and even lemonade from the crowd. From the corner of my eye I see a tall man stride toward me. It’s Diamond Joe.
“You gotta get out of here,” he says, stepping over the rope.
“Why? What’s going on?”
“August’s on his way. The bull’s performing tonight.”
“What? You mean with Marlena?”
“Yeah. And he don’t want to see you. He’s in one of those moods. Go on, get out.”
I scan the tent for Marlena. She’s standing in front of her horses, chatting with a family of five. Her eyes flit over to me and then, when she sees my expression, dart back at regular intervals.
I hand Diamond Joe the silver-tipped cane that passes for a bull hook these days and step over the rope. I see August’s top hat approaching on my left and move instead to my right, past the line of zebras. I stop beside Marlena.
“Did you know you’re supposed to perform with Rosie tonight?” I say.
“Excuse me,” she says, smiling at the family in front of her. She turns around and leans in close. “Yes. Uncle Al called me in. He says the show is on the verge of collapse.”
“But can you? I mean, in your . . . um . . .”
“I’m fine. I don’t have to do anything strenuous.”
“What if you fall off?”
“I won’t. Besides, I don’t have a choice. Uncle Al also said—oh hell, here’s August. You’d better get out of here.”
“I don’t want to.”
“I’ll be fine. He won’t do anything with rubes around. You’ve got to go. Please!”
I look over my shoulder. August is approaching, looking up from a downturned face like a charging bull.
“Please,” Marlena says desperately.
I head through the big top, following the hippodrome track to the back entrance. I pause, and then slip beneath the seats.
I watch the Spec from between a man’s work boots. About halfway through, I realize I’m not alone. An ancient roustabout is also looking through the stands but facing the other direction. He’s looking up a woman’s skirt.
“Hey!” I shout. “Hey, knock it off!”
The crowd roars in delight as a great gray mass passes the edge of the risers. It’s Rosie. I turn back to the roustabout. He stands on tiptoe, holding the edge of a floorboard with his fingertips and peering upward. He licks his lips.
I can’t stand it. I’m guilty of terrible, terrible things—things that will damn my soul to hell—but the idea of some