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WATER FOR ELEPHANT - Sara Gruen [142]

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coaches August in Polish commands for Rosie, he observes, “It’s only when I catch Rosie actually purring under August’s loving ministrations that my conviction starts to crumble. And what I’m left looking at in its place is a terrible thing” (page 229). What is Jacob left “looking at,” how does it pertain to August’s personality and Jacob’s relationship with August, and what makes it a “terrible thing”?

13. How did you react to the redlighting of Walter and Camel, and eight others, off the trestle? How might we see Uncle Al’s cutthroat behavior as “an indictment of a lifetime spent feigning emotions to make a buck” (in the words of one reviewer)?

14. After the collapse of the Benzini Brothers circus and Uncle Al’s having “done a runner” (page 314), Jacob realizes, “Not only am I unemployed and homeless, but I also have a pregnant woman, bereaved dog, elephant, and eleven horses to take care of” (page 317). What expectations did you entertain for Jacob and Marlena’s—and their menagerie’s—future after they leave the Benzini Brothers circus? How do the elderly Jacob’s memories of Marlena and their life together confirm or alter those expectations?

15. At the end of the novel, Jacob exclaims, “So what if I’m ninety-three? . . . why the hell shouldn’t I run away with the circus?” (page 331). What would you project to be the elderly Jacob’s experiences after he runs away with the circus the second time? How does his decision reflect what we have learned about his early years?

16. Sara Gruen has said that the “backbone” of her novel “parallels the biblical story of Jacob,” in the book of Genesis. On the first night after his leaving Cornell, for example, Jacob—as did his biblical namesake—lies “back on the bank, resting my head on a flat stone” (page 23). In what other ways does Water for Elephants parallel the story of the biblical Jacob? How do the names of many of the characters reflect names of characters in the biblical account?

17. In the words of one reviewer, Water for Elephants “explores . . . the pathetic grandeur of the Depression-era circus.” In what ways and to what extent do the words “pathetic grandeur” describe the world that Gruen creates in her novel?

TERENCE W. BAILEY

Sara Gruen is the author of the bestseller Riding Lessons and Flying Changes. She lives north of Chicago with her husband, her three children, four cats, two goats, two dogs, and a horse.

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