WATER FOR ELEPHANT - Sara Gruen [36]
He is unshaven, his blue eyes burning in a face that is the color of beets.
“You’re right,” I stammer. “I’m sorry. I shouldn’t have touched your things.”
“Listen, pisshead. I had a nice gig going here until you came along. Plus I’m in a bad mood anyway. Some asshole used my water today, so you’d best stay out of my way. I may be short, but don’t think I can’t take you.”
My eyes widen. I recover but not soon enough.
His eyes narrow to slits. He scans the shirt, my clean-shaven face. He chucks the eight-pager onto his cot. “Aw hell. Haven’t you done enough already?”
“I’m sorry. Honest to God, I didn’t know it was yours. August said I could use it.”
“Did he also say you could go through my stuff?”
I pause, embarrassed. “No.”
He gathers his books and stuffs them into the crate.
“Kinko—Walter—I’m sorry.”
“That’s Kinko to you, pal. Only my friends call me Walter.”
I walk to the corner and sink down on my horse blanket. Kinko helps Queenie onto the bed and lies down beside her, staring so pointedly at the ceiling I half-expect it to start smoldering.
BEFORE LONG, THE TRAIN pulls out. A few dozen angry men chase us for a while, swinging pitchforks and baseball bats, although it’s mostly for the benefit of the tale they’ll get to tell at dinner tonight. If they had really wanted a fight there was plenty of time before we pulled out.
It’s not that I can’t see their point—their wives and children had been looking forward to the circus for days, and they themselves had probably been looking forward to some of the other entertainments rumored to be available in the back of our lot. And now, instead of sampling the charms of the magnificent Barbara, they’ll have to content themselves with their eight-pagers. I can see why a guy might get steamed.
Kinko and I clatter along in hostile silence as the train gets up to speed. He lies on his cot, reading. Queenie rests her head on his socks. Mostly she sleeps, but whenever she’s awake, she watches me. I sit on the horse blanket, bone-weary but not yet tired enough to lie down and suffer the indignities of vermin and mildew.
At what should be dinnertime, I get up and stretch. Kinko’s eyes dart over from behind his book, and then back to the text.
I walk out to the horses and stand looking over their alternating black and white backs. When we reloaded them, we moved everyone up to give Silver Star all four empty stalls’ worth of space. Even though the rest of the horses are now in unfamiliar slots, they seem largely unperturbed, probably because we loaded them in the same order. The names scratched into the posts no longer match the occupants, but I can extrapolate who’s who. The fourth horse in is Blackie. I wonder if his personality is anything like his human namesake’s.
I can’t see Silver Star, which means he must be lying down. That’s both good and bad: good, because it keeps the weight off his feet, and bad because it means he’s in enough pain he doesn’t want to stand. Because of the way the stalls are constructed, I can’t check on him until we stop and unload the other horses.
I sit across from the open door and watch the landscape pass until it gets dark. Eventually I slide down and fall asleep.
It seems like only minutes later when the brakes begin screeching. Almost immediately, the door to the goat room opens and Kinko and Queenie come out into the rough foyer. Kinko leans one shoulder against the wall, hands pushed deep in his pockets and ignoring me studiously. When we finally come to a stop, he jumps to the ground, turns, and claps twice. Queenie leaps into his arms and they disappear.
I climb to my feet and peer out the open door.
We’re on a siding in the middle of nowhere. The other two sections of train are also stopped, stretched out before us on the track, a half mile between each.
People climb down from the train in the early morning light. The performers stretch grumpily and gather in groups to talk and smoke as the workmen drop ramps and