We Need to Talk About Kevin_ A Novel - Lionel Shriver [137]
Even I recognized at once that Alice was uncool—a word whose improbable currency from our generation to the next testifies to the timelessness of the concept. What is cool changes; that there is such a thing as cool is immutable. And in our heyday, anyway, the average nerd got a little credit for acting mortified and apologetic, staring at his shoes. But I’m afraid this poor chinless waif didn’t have enough social intelligence to rue her puffed-sleeve, tan-plaid, tie-bowed party dress. When her mother brought it home, she doubtless threw her arms around the woman in moronic gratitude.
It was “Stairway to Heaven” that had enticed her to strut her stuff. Yet however we may all keep a warm place in our hearts for that old Led Zeppelin standard, it’s terribly slow and I personally remembered the tune as undanceable. Not that this stopped Alice. She extended her arms and lunged in ever-widening circles with her eyes closed. She was clearly transported, oblivious to the fact that enthusiastic turns exposed her panties. As she got caught up in the thrall of bass guitar, her moves lost any semblance of rock-and-roll boogie and wobbled between unschooled ballet and Sufi dancing.
In case I’ve sounded mean, I was really rather enchanted. Our little Isadora Duncan understudy was so uninhibited, so exuberant! I may even have envied her a little. Wistfully I remembered jigging around our Tribeca loft to Talking Heads when pregnant with Kevin, and it saddened me that I no longer did that. And though she was a good eight years older than Celia, something about this girl as she flounced and pirouetted from one end of the gym to the other reminded me of our daughter. An unlikely exhibitionist, she seemed to have taken to the floor simply because this was one of her favorite songs—that word again—and because the empty space made it easier to rush around the floor in a swoon. She probably emoted about her own living room to the same song and saw no reason not to dance in exactly the same flamboyant manner merely because 200 malicious adolescents were leering on the sidelines.
It always seems interminable, but “Stairway to Heaven” was almost over; he might have held off two more minutes. But no. I felt a peculiar stab of fear as Kevin peeled languidly off the cinder block and sauntered in an unerring straight line toward Alice, tracking her like a Patriot missile homing in on a Scud. Then he stopped, right under the mirror ball, having correctly calculated that Alice’s next pirouette would land her left ear exactly in line with his mouth. There. Contact. He leaned, just a little, and whispered.
I would never pretend to know what he said. But the image has informed all my subsequent mental reconstructions of Thursday. Alice froze. Her face infused with all the self-consciousness of which it had a moment before been so conspicuously absent. Her eyes darted left and right, unable to find a single resting place that afforded respite. Suddenly all too well aware of her audience, she seemed to register the obligations of the folly she’d begun; the song wasn’t quite finished, and she was compelled to keep up appearances by bobbing to a few more bars. For the next forty seconds or so, she floundered back and forth in a macabre slow-motion death dance, like Faye Dunaway at the end of Bonnie and Clyde.
The DJ having aptly segued to Jefferson Airplane’s “White Rabbit,