• Choose a category
• All
• Classic-Fiction

A blue light went on over the door of a booth for which Nancy was responsible. The person in there wanted something. It was the only booth in use at the time.

The sheriff asked her if there was a possibility that the person in there was Billy the Poet, and Nancy said, "Well, if it is, I can break his neck with my thumb and forefinger."

"Foxy Grandpa," said Mary, who’d seen him, too. A Foxy Grandpa was any old man, cute and senile, who quibbled and joked and reminisced for hours before he let a Hostess put him to sleep.

Nancy groaned. "We’ve spent the past two hours trying to decide on a last meal."

And then the mailman came in with just one letter. It was addressed to Nancy in smeary pencil. She was splendid with anger and disgust as she opened it, knowing it would be a piece of filth from Billy.

She was right. Inside the envelope was a poem. It wasn’t an original poem. It was a song from olden days that had taken on new meanings since the numbness of ethical birth control had become universal. It went like this, in smeary pencil again:

We were walking through the park, A-goosing statues in the dark. If Sherman’s horse can take it, So can you.

When Nancy came into the suicide booth to see what he wanted, the Foxy Grandpa was lying on the mint-green Barcalounger, where hundreds had died so peacefully over the years. He was studying the menu from the Howard Johnson’s next door and beating time to the Muzak coming from the loudspeaker on the lemon-yellow wall. The room was painted cinder block. There was one barred window with a Venetian blind.

There was a Howard Johnson’s next door to every Ethical Suicide Parlor, and vice versa. The Howard Johnson’s had an orange roof and the Suicide Parlor had a purple roof, but they were both the Government. Practically everything was the Government.

Practically everything was automated, too. Nancy and Mary and the sheriff were lucky to have jobs. Most people didn’t. The average citizen moped around home and watched television, which was the Government. Every fifteen minutes his television would urge him to vote intelligently or consume intelligently, or worship in the church of his choice, or love his fellowmen, or obey the laws—or pay a call to the nearest Ethical Suicide Parlor and find out how friendly and understanding a Hostess could be.

The Foxy Grandpa was something of a rarity, since he was marked by old age, was bald, was shaky, had spots on his hands. Most people looked twenty-two, thanks to anti-aging shots they took twice a year. That the old man looked old was proof that the shots had been discovered after his sweet bird of youth had flown.

"Have we decided on a last supper yet?" Nancy asked him. She heard peevishness in her own voice, heard herself betray her exasperation with Billy the Poet, her boredom with the old man. She was ashamed, for this was unprofessional of her. "The breaded veal cutlet is very good."

The old man cocked his head. With the greedy cunning of second childhood, he had caught her being unprofessional, unkind, and he was going to punish her for it. "You don’t sound very friendly. I thought you were all supposed to be friendly. I thought this was supposed to be a pleasant place to come.

"I beg your pardon," she said. "If I seem unfriendly, it has nothing to do with you."

"I thought maybe I bored you."

"No, no," she said gamely, "not at all. You certainly know some very interesting history." Among other things, the Foxy Grandpa claimed to have known J. Edgar Nation, the Grand Rapids druggist who was the father of ethical birth control.

"Then look like you’re interested," he told her. He could get away with that sort of impudence. The thing was, he could leave any time he wanted to, right up to the moment he asked for the needle—and he had to ask for the needle. That was the law.

Nancy’s art, and the art of every Hostess, was to see that volunteers didn’t leave, to coax and wheedle and flatter them patiently, every step of the way.

So Nancy had to sit down there in the booth, to