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What I Learned When I Almost Died - Chris Licht [0]

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Simon & Schuster

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New York, NY 10020

[http://www.simonsandschuster.com] www.simonsandschuster.com

Copyright © 2011 by Chris Licht

All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Simon & Schuster Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020.

First Simon & Schuster hardcover edition May 2011

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Library of Congress Cataloging-in-Publication Data

Licht, Chris.

What I learned when I almost died : how a maniac tv producer put down his BlackBerry and started to live his life / Chris Licht. —1st Simon & Schuster hardcover ed.

1. Licht, Chris. 2. Television producers and directors—United States—Biography. I. Title.

PN1992.4.L45A3 2011

791.4502’33092—dc22

[B]

2011011244

ISBN 978-1-4516-2767-1

ISBN 978-1-4516-2768-8 (ebook)

To my family—who make life worth living

Contents

Prologue: The Killer Producer

Chapter One: The Event

Chapter Two: The Little Anchor

Chapter Three: A Migraine Guy

Chapter Four: Captain Intense

Chapter Five: Free Fall

Chapter Six: The Superheroes

Chapter Seven: The Doctor

Chapter Eight: Jenny

Chapter Nine: A Jacket

Chapter Ten: A Kiss

Chapter Eleven: The Caller

Chapter Twelve: A Head in a Lap

Chapter Thirteen: An Angry Man

Chapter Fourteen: A Walk and a Lunch

Chapter Fifteen: Back

Chapter Sixteen: On the Deck

Chapter Seventeen: The Meaning of Time

Chapter Eighteen: So Zen

Acknowledgments

What I Learned

When I Almost Died

prologue

The Killer Producer

Lately, if I happen to be looking through my address book for a phone number, I’m apt to stop when I come across the name of someone I haven’t been in touch with for a while. A friend, maybe, or an acquaintance. When I do, I’m likely to fire off an e-mail with no more length or gravitas than this:

Hey, how you been?

The gesture is a small one, but I didn’t used to do this. Days that were filled with the pressure and crises of running a national cable television program had little room for casual nicety. If I wasn’t in the control room producing it, I was in my office thinking about how to produce it. If the talent was unhappy, I’d let it gnaw at my gut. If somebody screwed up, I could go off like a roadside bomb, in a finger snap. I knew this. But the show so consumed me that it couldn’t be merely acceptable. It had to be great. I had ambitions. I had to be the killer producer.

Then one day, with no warning whatsoever, I became scary sick in a random and hard-to-figure way, given that I was not even forty years old. Most people with the medical emergency I had do not emerge from the experience physically intact, if they emerge at all. Weeks later, my health restored, I went back to work, and was eager and happy to do so. Illness hadn’t scared me into some big life makeover. I had no urge to surrender my spot in the fast lane for ownership of a B&B in Vermont.

But serious illness had recalibrated me. It had brought a trove of knowledge, as if I had involuntarily paid a painful tuition for an elite education. It was about letting go of my fears. It was about what I could control and what I couldn’t, and how people felt about me, really felt about me. It was about how to use time. It was even about Joe Biden, the vice president of the United States.

It would be nice, I thought, if everyone could get the education I had gotten without having to nearly die.

So I decided to write a book.

chapter one

The Event

The man who would become my neurosurgeon doubts that a brain can make a noise. Mine did. I’m sure of it. On a cool, partly cloudy

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