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What the Dog Saw [137]

By Root 6979 0
the fourth quarter of the Oklahoma State–Missouri game, the Tigers were in trouble. For the first time all year, they were behind late in the game. They needed to score, or they’d lose any chance of a national championship. Daniel took the snap from his center and planted his feet to pass. His receivers were covered. He began to run. The Oklahoma State defenders closed in on him. He was under pressure, something that rarely happened to him in the spread. Desperate, he heaved the ball downfield, right into the arms of a Cowboy defender.

Shonka jumped up. “That’s not like him!” he cried out. “He doesn’t throw stuff up like that.”

Next to Shonka, a scout for the Kansas City Chiefs looked crestfallen. “Chase never throws something up for grabs!”

It was tempting to see Daniel’s mistake as definitive. The spread had broken down. He was finally under pressure. This was what it would be like to be an NFL quarterback, wasn’t it? But there is nothing like being an NFL quarterback except being an NFL quarterback. A prediction, in a field where prediction is not possible, is no more than a prejudice. Maybe that interception means that Daniel won’t be a good professional quarterback, or maybe he made a mistake that he’ll learn from. “In a great big piece of pie,” Shonka said, “that was just a little slice.”*


December 15, 2008

Dangerous Minds

CRIMINAL PROFILING MADE EASY

1.

On November 16, 1940, workers at the Consolidated Edison building on West 64th Street in Manhattan found a homemade pipe bomb on a windowsill. Attached was a note: “Con Edison crooks, this is for you.” In September of 1941, a second bomb was found, on 19th Street, just a few blocks from Con Edison’s headquarters, near Union Square. It had been left in the street, wrapped in a sock. A few months later, the New York police received a letter promising to “bring the Con Edison to justice — they will pay for their dastardly deeds.” Sixteen other letters followed, between 1941 and 1946, all written in block letters, many repeating the phrase dastardly deeds and all signed with the initials F.P. In March of 1950, a third bomb — larger and more powerful than the others — was found on the lower level of Grand Central Terminal. The next was left in a phone booth at the New York Public Library. It exploded, as did one placed in a phone booth in Grand Central. In 1954, the Mad Bomber — as he came to be known — struck four times, once in Radio City Music Hall, sending shrapnel throughout the audience. In 1955, he struck six times. The city was in an uproar. The police were getting nowhere. Late in 1956, in desperation, Inspector Howard Finney, of the New York City Police Department’s crime laboratory, and two plainclothesmen paid a visit to a psychiatrist by the name of James Brussel.

Brussel was a Freudian. He lived on 12th Street, in the West Village, and smoked a pipe. In Mexico, early in his career, he had done counterespionage work for the FBI. He wrote many books, including Instant Shrink: How to Become an Expert Psychiatrist in Ten Easy Lessons. Finney put a stack of documents on Brussel’s desk: photographs of unexploded bombs, pictures of devastation, photostats of F.P.’s neatly lettered missives. “I didn’t miss the look in the two plainclothesmen’s eyes,” Brussel writes in his memoir, Casebook of a Crime Psychiatrist. “I’d seen that look before, most often in the Army, on the faces of hard, old-line, field-grade officers who were sure this newfangled psychiatry business was all nonsense.”

He began to leaf through the case materials. For sixteen years, F.P. had been fixated on the notion that Con Ed had done him some terrible injustice. Clearly, he was clinically paranoid. But paranoia takes some time to develop. F.P. had been bombing since 1940, which suggested that he was now middle-aged. Brussel looked closely at the precise lettering of F.P.’s notes to the police. This was an orderly man. He would be cautious. His work record would be exemplary. Further, the language suggested some degree of education. But there was a stilted quality to the word choice

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