What the Nose Knows - Avery Gilbert [127]
lived her entire life Judith Farr, The Gardens of Emily Dickinson (Cambridge, MA: Harvard University Press, 2004).
“cultivation of emotional intensity” Agnieszka Salska, “Dickinson’s letters: From correspondence to poetry,” in The Emily Dickinson Handbook, edited by G. Grabher, R. Hagenbüchle, and C. Miller (Amherst: University of Massachusetts Press, 1998).
Paglia challenged this admiring consensus Camille Paglia, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (New Haven: Yale University Press, 1990).
In her poems Poems quoted here can be found as numbered in The Complete Poems of Emily Dickinson, edited by T. H. Johnson (Boston: Little, Brown, 1960): drinker #1628, Inebriate #214, quaffing #230, kill your balm #238, when it dies #333, little odor #785, oils are wrung #675.
“fetishistic fascination” Marc A. Weiner, “Wagner’s Nose and the Ideology of Perception.” Monatshefte 81 (1989):62–78.
“The night is cool” Leopold von Sacher-Masoch, Venus in Furs (1870; translation by Fernanda Savage, 1921).
American novelist Willa Cather Marilee Lindemann, Willa Cather: Queering America (New York: Columbia University Press, 1999); Willa Cather, O Pioneers! (Boston/New York: Houghton Mifflin Company, 1913).
“maybe smell is one of my” Frederick L. Gwynn and Joseph L. Blotner, Faulkner in the University (Charlottesville: University of Virginia Press, 1959), p. 253.
it doesn’t add up Joseph Blotner, Faulkner: A Biography (New York: Random House, 1974).
“the most radical innovator” J. M. Coetzee, “The Making of William Faulkner,” The New York Review of Books, April 7, 2005, p. 20.
“the inherent tragedy of southern history” Lorie W. Fulton, “William Faulkner’s Wistaria: The Tragic Scent of the South” Southern Studies 11(2004):1–9.
symbol of courage and violence William Faulkner, The Unvanquished (New York: Random House, 1938). True verbena should not be confused with lemon verbena (Lippia citriodor), which has a distinct lemony scent that Faulkner would have been hard pressed to ignore.
code of honor R. W. Witt, “On Faulkner and Verbena,” Southern Literary Journal 27 (1994):73–84.
extended use of smell William Faulkner, The Sound and the Fury (New York: J. Cape and H. Smith, 1929).
review was merciless Richard Dyer, “‘Blind Trust’: Hold Your Nose,” Boston Globe, June 7, 1993.
Chapter 8. Hollywood Psychophysics
“audiences worldwide paid me” Interview with John Waters, April 12, 2006.
History has not been kind Frank W. Hoffmann and William G. Bailey, Arts & Entertainment Fads (Harrington Park Press, 1990); Martin J. Smith and Patrick J. Kiger, Oops: 20 Life Lessons from the Fiascoes That Shaped America (New York: HarperCollins, 2006); “Cinematic Stinkers,” The Times Educational Supplement, May 26, 2006; “The 100 Worst Ideas of the Century,” Time, June 14, 1999; Harry and Michael Medved, The Golden Turkey Awards: Nominees and Winners, the Worst Achievements in Hollywood History (New York: Putnam, 1980).
first attempt to odorize movies Terry Ramsaye, A Million and One Nights: A History of the Motion Picture (London: Frank Cass & Co., 1926),p. 175.
“tried the rose bit” “Kill That Butt, the Smellie Is Starting,” Film Daily, September 10, 1958.
no Rose Bowl game See www.TournamentofRoses.com for the relevant history.
imitated by others Letter to the Editor by Albert E. Fowler, Variety, January 13, 1960 (for Lilac Time); Photoplay Magazine, September 1929, p. 98 (for Hollywood Review of 1920).
“The scent organ was playing” Aldous Huxley, Brave New World (Garden City, NY: Doubleday, Doran & Company, 1932).
“By midmorning” Bill Buford, Heat: An Amateur’s Adventures as Kitchen Slave, Line Cook, Pasta-maker, and Apprentice to a Dante-quoting Butcher in Tuscany (New York: Knopf, 2006).
“The blowers which wafted these odors” Arthur Mayer, Merely Colossal (New York: Simon and Schuster, 1953), pp. 187, 189–90.
system described by John H. Leavell John H. Leavell, “Method of and apparatus for presenting theatrical impressions,” U.S. Patent