What You See in the Dark - Manuel Munoz [56]
Dan’s suitcase sat open on the bed, a story she didn’t yet know. Next to it was the black bank deposit bag from their front office. He stood with his hand on the doorknob.
“What’s that on your cheek?” she asked, but now she didn’t want to know the answer. A black eye or a crust of blood under the nostril or a swollen lip would have made it easy to imagine too many beers at the Bluebird, the inability of men to keep their mouths shut against bravado. Dan’s cheek was something more dreadful in its simplicity: four little half-moons, caked in purple. A small hand doing that to his face.
“Something happened, Mama …”
“Oh, dear God … ,” she said, and took her eyes away from the scratches on his cheek and saw the mess, the spilled contents of his bureau and, on top of it, his white shirt with dark stains, the deep, ugly sheen. She couldn’t help but touch it, her fingers electric against the damp, and she flinched. “Oh, dear God …”
He was a blur of motion, hurrying over to the suitcase, gathering the black bank bag and shoving it inside, snapping the thing shut. She followed him out helplessly, incredulously, as he made his way to the kitchen, pulling the cabinets open and yanking down bread, boxed crackers, a jar of peanut butter, a tin of canned meat. In a flash, he spied the keys to her sedan hanging by a hook near the door and grabbed them before she could stop him.
“Dan … what on earth happened?”
“Listen, Mama,” he said, stuffing the keys into his pocket. He became calm once again, the tone in his voice suggesting he was not going to repeat himself. “You listen to me, now. I’m not telling you where I’m going. And I’m not going to tell you what I did.” His voice quivered and broke. “You know what I did.”
She thought of her brother, after all that time in a prison up-state, and the way he took a cigarette in his mouth and blew out the smoke.
“What did you do, Dan?”
“Listen to me! The police are going to come around here soon enough. So I’m not telling you anything. You don’t know anything, so they can’t call you a liar.” He patted his pocket, as if to assure himself the keys were there, then reached under the sink for a paper bag and gathered the food.
“Dan, you can’t do this …”
“Mama … ,” he said sternly. “I took the cash from the office and I’m sorry about that. But you get rid of that truck. Okay? Take it up into the mountains and burn it or push it into the river. Just get rid of it.”
“I won’t do any such thing,” she said, with a firm voice, a glimmer of defiance, the same tone she had used when speaking to Frederick those years ago in this very kitchen, when he threatened to leave her if she didn’t stop pestering him about his late hours. Frederick had looked at her with a stare as thin and deadly as a razor.
“You do what you want,” Dan said. He gathered the food and the suitcase and butted his way to the front door, unstoppable, and she wanted to reach out to him, remembering how her mother had reached out to her brother to embrace him when he came back.
To her surprise, Dan put his things down and hugged her. He held her hard and she allowed him to. She closed her eyes against the half-moons on his cheek, their ugly certainties, and willed everything to stop, to stay as it was.
“I’m sorry, Mama,” he said. “I am.” He gathered the suitcase and the paper bag of food and bounded out to the parking lot. She ran out to the porch, almost following him down in her bare feet. She watched his dark form fumble with the keys, heard the click of the door as he unlocked the sedan. The night was still, no cars on the highway, no sound at all, the entire city asleep, and her car roared to life, startling her. The inevitability startled her, the coming change. The motor gunned and the lights, weak willed and scant, dimmed as Dan put the car into reverse and wheeled right out of the parking lot. Just like that. Just like Frederick, whom she had not witnessed