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What You See in the Dark - Manuel Munoz [61]

By Root 292 0
of the cab. The truck door groaned. Her feet thudded onto the gravel. Alarmed by the noise she was making, she shut the door as softly as she could, the dome light extinguishing, but she couldn’t hook the latch. She pushed the door a little, finally hearing it click shut, but she could see, even in the dark, how the door wasn’t flush with the frame. From the diesel truck came the faint but perceptible growl of the driver’s dog, alert to her movement. Arlene crouched down, listening for the growl again. She imagined the dog sitting up in the seat, paws resting on the door, studying her malevolently through the window of the cab. Her body ached from crouching, the slumped posture, the cold. Just that pathway to the house, just those steps, just the screen door, just the twist of the knob. The dog remained silent, as did the road, so Arlene bolted, trying her best to half run, half tiptoe to the house, the cold gleam of the windows taunting her with their proximity, but by the time she hit the steps, she was so overcome by the fear of being caught, by the anticipation of the driver calling out Hey! into the night, that she disregarded the creak of the screen door and how it always slapped against the frame, and rushed in, shutting the door behind her hard enough for the window to shudder.

Yet even after she made it inside, she kept looking out, with the same foolish impulse that forced her to run back into the house on some mornings to check the electric coffeepot, its unplugged cord coiled safely away. The trucker had remained asleep, the dog not barking, and she turned out the living room light, one window going dark, signifying motion to anyone who might be looking. But no one was looking. She knew this now. It was well past midnight and anyone still awake would be only half so, nodded off in front of the buzz and static of a television set, the local stations not able to fill insomnia’s empty hours. There was no need to be nervous, but she remained so as she walked into the kitchen, filling a teakettle with water and setting it to boil so she could ward off the chill of having been outside, wondering if her silhouette appeared in the windows, a ghostly form to an onlooker from the road. The ugly feeling was unshakable, that sense of being watched. Arlene reached over and turned out the kitchen light, one more light extinguished in the house, leaving her alone with only the blue flame of the stove, startlingly bright. So bright, she was surprised how easily she could manage a teacup from the cabinet, a spoon from the drawer. At the first sign of a coming whistle from the kettle, Arlene removed it from the stove, carefully pouring hot water by the glow of the blue flame, something to keep her eye on as she sat in the kitchen.

What’s a mother to do? Arlene thought. She saw her mother in the Bakersfield courthouse, her dedicated mornings of dressing up in her best outfit to sit through proceedings she could not possibly have understood completely, then coming home in the afternoon to air out the dress and make it ready for the next day. What’s a good mother to do? Willful and stubborn, sitting in silence while she heard exactly what her own son had been accused of. What’s a good mother? Arlene considered the chasm she had to cross to be like her mother, to be confronted with the irrefutable, yet still acknowledge her own flesh and blood. A son no matter what. Here is a knife. Here is a gun. Here is a bloody set of clothes. Here are your son’s hands. Deep down, she knew she could never be like her mother, long dead now. Upstairs, she remembered, was Dan’s bloody shirt on the dresser, but now she did not feel the sense of panic. There would be more to dig out of by trying to hide the shirt than by allowing its discovery. She would show the police officers, lead them right to it, her arms crossed over the flaps of her housecoat, and they would never think to inspect her garment and trace it back to an earlier moment of desperation.

Arlene sat at the table, warming her numb fingers against the teacup. There were hard days coming.

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