What You See in the Dark - Manuel Munoz [61]
Yet even after she made it inside, she kept looking out, with the same foolish impulse that forced her to run back into the house on some mornings to check the electric coffeepot, its unplugged cord coiled safely away. The trucker had remained asleep, the dog not barking, and she turned out the living room light, one window going dark, signifying motion to anyone who might be looking. But no one was looking. She knew this now. It was well past midnight and anyone still awake would be only half so, nodded off in front of the buzz and static of a television set, the local stations not able to fill insomnia’s empty hours. There was no need to be nervous, but she remained so as she walked into the kitchen, filling a teakettle with water and setting it to boil so she could ward off the chill of having been outside, wondering if her silhouette appeared in the windows, a ghostly form to an onlooker from the road. The ugly feeling was unshakable, that sense of being watched. Arlene reached over and turned out the kitchen light, one more light extinguished in the house, leaving her alone with only the blue flame of the stove, startlingly bright. So bright, she was surprised how easily she could manage a teacup from the cabinet, a spoon from the drawer. At the first sign of a coming whistle from the kettle, Arlene removed it from the stove, carefully pouring hot water by the glow of the blue flame, something to keep her eye on as she sat in the kitchen.
What’s a mother to do? Arlene thought. She saw her mother in the Bakersfield courthouse, her dedicated mornings of dressing up in her best outfit to sit through proceedings she could not possibly have understood completely, then coming home in the afternoon to air out the dress and make it ready for the next day. What’s a good mother to do? Willful and stubborn, sitting in silence while she heard exactly what her own son had been accused of. What’s a good mother? Arlene considered the chasm she had to cross to be like her mother, to be confronted with the irrefutable, yet still acknowledge her own flesh and blood. A son no matter what. Here is a knife. Here is a gun. Here is a bloody set of clothes. Here are your son’s hands. Deep down, she knew she could never be like her mother, long dead now. Upstairs, she remembered, was Dan’s bloody shirt on the dresser, but now she did not feel the sense of panic. There would be more to dig out of by trying to hide the shirt than by allowing its discovery. She would show the police officers, lead them right to it, her arms crossed over the flaps of her housecoat, and they would never think to inspect her garment and trace it back to an earlier moment of desperation.
Arlene sat at the table, warming her numb fingers against the teacup. There were hard days coming.