Where the God of Love Hangs Out - Amy Bloom [24]
The raccoon nibbles at the crust.
“Oh, it’s very hard,” Clare says, sitting down slowly and not too close. “Oh, I miss him so much. I didn’t know. I didn’t know that I would be like this, that this is what happens when you love someone like that. I had no idea. No one says, There’s no happy ending at all. No one says, If you could look ahead, you might want to stop now. I know, I know, I know I was lucky. I was luckier than anyone to have had what I had. I know now. I do, really.”
The raccoon picks up two large crumbs and tosses them into his mouth. He scans the counter and the canisters and looks closely at Clare. He hops down from the counter to the kitchen stool and onto the floor and strolls out the kitchen door.
* * *
Clare told Nelson about the raccoon and they encouraged him with heels of bread and plastic containers of peanut butter leading up the kitchen steps, but he didn’t come back. She told Margaret Slater, who said she was lucky not to have gotten rabies, and she told Adam and Danny, who said the same thing. She bought a stuffed-animal raccoon with round black velvet paws much nicer than the actual raccoon’s, and she put him on her bed with the rhino and the little bird and William’s big pillows. She told little Charlotte raccoon stories when she came to babysit (how could Emily say no to a babysitter six blocks away and free and generous with her time?). She even told Emily, who paused and said, with a little concern, that raccoons could be very dangerous.
“I don’t know if you heard,” Emily said. “My mother’s getting married. A wonderful man.”
Clare bounced Charlotte on her knee. “Oh, good. Then everyone is happy.”
Opening the Hands Between Here and Here
On the dark road, only the weight of the rope. Yet the horse is there.
—JANE HIRSHFIELD
BETWEEN HERE AND HERE
For ESBL
I had always planned to kill my father. When I was ten, I drew a picture of a grave with ALVIN LOWALD written on the tombstone, on the wall behind my dresser. From time to time, I would add a spray of weeds or a creeping vine. By the time I was in junior high, there were trees hung with kudzu, cracks in the granite, and a few dark daisies springing up. Once, when my mother wouldn’t let me ride my bike into town, I wrote, Peggy Lowald is a fat stupid cow behind the dresser but I went back the same day and scribbled over it with black Magic Marker because most of the time I did love my mother and I knew she loved me. The whole family knew that my mother’s feelings were Sensitive and Easily Hurt. My father said so, all the time. My father’s feelings were also sensitive, but not in a way that I understood the word, at ten; it might be more accurate to say that he was extremely responsive. My brother, Andy, drew cartoon weather maps of my father’s feelings: dark clouds of I Hate You, giving way to the sleet of Who Are You, pierced by bolts of Black Rage.
Most of the mothers in our neighborhood were housewives, like my mother. But my mother was really a very good cook and a very accomplished hostess, even if the things she made and the way she entertained is not how I would have done it (red, white, and blue frilled toothpicks in lamb sausage pigs-in-blankets on the Fourth of July, trays of deviled eggs and oeufs en gelée—with tiny tulips of chive and egg yolk decorating each oeuf-—to celebrate spring). My mother worked hard at what she considered her job, with no thanks from us and no pay, aside from the right to stay home.
Five minutes before the start of a cocktail party or bridge night, my father would make himself comfortable on the living room couch, dropping cigar ash on the navy-blue velvet cushions, or he’d stand in the kitchen in his underwear, reading the newspaper while my mother and I put out platters and laid hors d’oeuvres around him.