White Nights - Ann Cleeves [5]
They sat in the kitchen where the young chef, Martin Williamson, was filling trays of canapés. Perez knew him, could have given his life history, told you the first names of his grandparents after a few seconds’ thought. The Herring House had its own restaurant and he ran that. Tonight, herring featured of course. Small slices curled on circles of soda bread. It had been pickled and there was a clean scent of vinegar and lemon. There were local oysters and Shetland smoked salmon. Perez hadn’t eaten since lunchtime and his mouth watered. Martin looked up as they came in.
‘You don’t mind if we just sit here for a while?’
‘You’ll have to stay well away from the food. Health and safety.’ But he grinned. He’d been happy as a child, Perez remembered. Perez had seen him at weddings and parties, had an image of him always laughing, in the middle of the mischief.
Now he went back to his work and took no notice of them. The sound of fiddle music came from the gallery. Roddy had been brought back to fill the awkward silence and get the people in the mood again for spending. Still the stranger was sobbing. Perez felt a moment of sympathy, thought how heartless he was to have been distracted by the food. He couldn’t imagine making a show of his grief, thought that something dreadful must have happened for the man to be crying in public. Or that he was ill. That must be it.
‘Hey,’ he said. ‘It can’t be that bad, can it?’ He pulled up a chair for him, settled him into it.
The man stared at him as if he was realizing for the first time Perez was in the room.
He wiped his eyes with the back of his hand. It was a childish, unsophisticated gesture which made Perez warm to him for the first time. He dug in his pocket for a handkerchief and handed it over.
‘I don’t know what I’m doing here,’ the man said. He was English, but not southern English, Perez thought. He thought of Roy Taylor, a colleague who worked out of Inverness. He came originally from Liverpool. Was this man’s voice like Roy’s? Not quite, he decided.
‘We all feel like that sometimes.’
‘Who are you?’
‘Jimmy Perez. I’m a detective. But that’s not why I’m in the Herring House. My friend’s one of the artists.’
‘Herring House?’
‘This place. The gallery. That’s what it’s called.’
The man didn’t respond. It was as if he’d shut down, was lost again in his own grief, as if he’d stopped listening.
‘What’s your name?’ Perez asked.
Again there was no response. A blank stare.
‘Surely there’s no harm in telling me your name.’ He was starting to lose patience. He’d thought this was the night when he could sort things out with Fran. He’d imagined staying at her house. There’d been fantasies which would have shocked the people who knew him, which had shocked him. Cassie would be sleeping at her father’s. Fran had told him this, and that was a good sign, wasn’t it? Usually he found it too easy to be swept up in other people’s emotions. Today he had an incentive to resist this weeping stranger.
The Englishman looked up at him.
‘I don’t know my name,’ he said flatly. No drama now. ‘I can’t remember it. I don’t know my name and I don’t remember why I’m here.’
‘How did you get here? To the Herring House? To Shetland?’
‘I don’t know.’ Now there was an edge of panic in the man’s voice. ‘I can’t remember anything before the painting. That painting of the woman in red hanging