White Oleander - Janet Fitch [120]
I couldn’t get it out of my head, I was right there when she died. If only I’d woken up. If only I’d imagined what could happen. My mother always told me I had no imagination. Claire called me and I didn’t go to her. Wouldn’t even open my door. I had told her the worst thing was to lose your self-respect. How could I have told her such a thing? Christ, that wasn’t the worst thing, not by a long shot.
Outside in the garden, the grass was uncut but very green in the clear winter sun. The Chinese elm wept like a willow. The bulbs were done, but the roses bloomed furiously, the red hallucinatory glow of Mr. Lincoln, the pale blush of Pristine. The ground underneath was pooled with red and white petals. In here, the room was steeped in L’Air du Temps from the bottle I’d shattered. I picked up the top, the frosted birds. Now they looked like something to decorate a headstone.
In a drawer, I found the book of pressed flowers she made from the gleanings of our walks on the McKenzie that summer. How happy she’d been in her Chinese hat, tied under the chin, canvas bag full of discoveries. Here they were, labeled in her round feminine hand, pressed on pages tied together with taupe grosgrain ribbon, Lady’s Slipper, Dogwood, Wild Rose, Rhododendron with their threadlike stamens.
What do you want, Astrid? What do you think? No one would ever ask me that again. I stroked her hair, her dark eyebrows, her eyelids, the delicate formation of cheekbone and eye socket and temple and brow, the sharpness of chin like a drop of water upside down. If only I’d gone to her right away. If only I hadn’t made her wait. I should never have left her alone with our disgust, Ron’s and mine. It was the one thing she couldn’t stand, to be left alone.
At ten o’clock, the mail came. At eleven, Mrs. Kromach practiced her electric organ next door, her parrot squawking along. I knew her entire repertoire. “Zip-a-Dee-Doo-Dah.” “There’s No Business Like Show Business.” “Chattanooga Choo Choo.” She liked state songs: “Gary, Indiana.” “Iowa Stubborn.” “California, Here I Come.” “Everything’s Up to Date in Kansas City.” She made the same mistakes every time. “She ’s doing it to drive us crazy,” Claire would say. “She knows how to play those songs.” She’d never have to hear it anymore
At noon, a leaf blower droned in the air. At one, the Orthodox nursery school let out. I heard the high-pitched voices on the street, the cheerful querulousness of the Hasidic neighbor women in their guttural languages. How they frightened you, Claire, those simple women in their long skirts with their infinite broods, arrogant sons and big oafish daughters, strong enough to lift a truck but timid in gaggles with bows in their hair. You always thought they were trying to hex you. You made me paint my hand blue and print it on the white stucco above the doorbell, a spell against the evil eye.
My knee touched hers, recoiled. Her leg was stiff. She was far away now, she was passing through the seven mortal coils, going up to God. I ran my fingers down the pretty, pointed nose, along the smooth forehead, the slight indentation at the temple where no pulse fluttered. She never seemed more complete, more sure of herself. Not trying to please anyone anymore.
She loved me, but she didn’t know me now.
From 1:45 to 4:15 the phone rang five times. She missed her hair appointment with Emile. Two hang-ups. Ron’s friends were meeting for drinks at Cava. MCI wanted to give the Richardses a break on their phone bill. Each time the phone rang, I somehow expected her to jerk awake and answer it. She could never stand not answering the phone. Even when she knew it wouldn’t be for her. It might be a job, though she’d stopped going out on auditions. It might be a friend, though she had no friends. She could get involved in long winding conversations with boiler room operators, Red Carpet Realty, Gold Star Construction.
I couldn’t understand how she could be gone. What would