White Oleander - Janet Fitch [60]
I imagined that money in my hand. My mind went blank. So far, my fantasies had centered completely on survival. Luxury had been beyond imagining, let alone beauty. I let my eyes rest on the striped curtains, until the stripes themselves formed a sculptural shape. Ray had seen it in me. With Olivia’s help, I could own it, create it, use it. I could work in beauty as an artist worked in paint or language.
I would have three lovers, I decided. An older man, distinguished, with silver hair and a gray suit, who would take me traveling with him, for company on long first-class flights to Europe, and stuffy cocktail receptions for visiting dignitaries. I called him the Swedish ambassador. Yes, Mother, I would lie down for the father, gladly.
Then there was Xavier, my Mexican lover, Mother’s Eduardo reconstituted, but more tender and passionate, less silly and spoiled. Xavier spread camellias on the bed, he swore he would marry me if he could, but he had been engaged since birth to a girl with a harelip. It was fine with me, I didn’t want to live with his overbearing parents in Mexico City and bear his ten Catholic children. I had a room of my own in the hotel, and a maid who brought me Mexican chocolate for breakfast in bed.
The third man was Ray. I met him in secret in big-city hotels, he sat in the bar with his sad face, and I would come in in a white linen suit with black-tipped shoes, my hair back in a chignon, a scarf tied to my purse. “I wasn’t sure you’d come,” I said in a deep, slightly humorous voice, like Dietrich. “But I came anyway.”
I heard Marvel calling to me, but she was in another country, too far away. She didn’t mean me. She meant some other girl, some drab hopeless thing destined for the army or else beauty school. I lay with my legs wrapped around Ray in a room with tall windows, a bouquet of full-bloom red roses in a vase on the dresser.
“Astrid!”
Her voice was like a drill, penetrating, relentless. If I had a choice, I’d rather be a man’s slave than a woman’s. I pulled myself out of bed, stumbled into the living room where Marvel and her friends sat on the flowered couch, their heads pressed together over sodas tinted space-alien colors, hands in the snack mixture I’d made from a recipe on the cereal box.
“Here she is.” Debby raised her horsey face under her curly perm, eye shadow layered like strata in sedimentary rock. “Ask her.”
“I’m telling you, the car,” Marvel said. “You come back and you’re still living in the same dump, still driving around the same old shitbox. What good does it do?”
Linda took a hit on her cigarette, fanning the smoke away with a pearl-nailed hand. A blond with blue eyes perpetually wide with surprise, she wore shiny eye shadow like the inside of shells. They all went to Birmingham High together, were bridesmaids at each other’s weddings, and now sold Mary Kay.
It was the new Mary Kay brochure, illustrating the prizes they could win if they sold enough mascara wands and lip liners and face-firming masques, that they’d been arguing about. “They used to have Cadillacs.” Linda sniffed.
Marvel finished her soda, smacked it down on the coffee table. “Just once in my life, I’d like a goddamn new car. Is that too much to ask? Everybody’s got a new car, the kids at the high school. The slut next door’s got a goddamn Corvette.” She handed me her glass. “Astrid, get me some more Tiki Punch.”
Debby handed me hers too. I took them back to the kitchen, and poured Tiki Punch from the big Shasta bottle, getting momentarily lost in its irradiated Venusian pinkness.
“Astrid,” Linda called, her feet tucked under herself on the flower-print couch. “If you had a choice between two weeks in Paris France, all expenses paid, or a car —”
“Shitty Buick,” Debby interjected.
“What’s wrong with a Buick?” Marvel said.
“— which would you take?” Linda picked something out of the corner of her eye with a long press-on nail.
I brought their drinks, suppressing the desire to limp theatrically, the deformed servant, and fit all the glasses into hands