White Oleander - Janet Fitch [67]
She cut a small piece of the gravlax and put it on a piece of black bread, daintly spooned a bit of dill sauce onto it, and ate it like it was the last piece of food in the world. I tried to imitate her, eating so slowly, tasting the raw pink fish and the coarse, sour bread, salt and sugar around the rind, flavors and scents like colors on a palette, like the tones in music.
“A lovely man too. Intelligent, rich as Croesus,” she said, blotting her lips and taking a sip of wine. “But he lived like a tapeworm.” She gazed into her straw-yellow wine, as if the solution to the man’s greed was there. Then she shook her head when it wasn’t. “Enormous man, probably weighed three hundred pounds. A very unhappy person. I felt sorry for him. Poor Mr. Fred.”
I didn’t want to imagine her making love to this three-hundred-pound man, lying under him as he hurriedly thrust into her, so he could go again. “How did you know him?”
She fanned away a bee that was exploring her wine. “I was a loan officer in one of his banks.”
I laughed out loud, picturing Olivia as a bank employee. Nine to five, behind a desk, in gabardine and flat shoes. Eating lunch at the Soup Exchange. “You’re kidding.”
“Sure, what did you think, I was some honeychile walking Van Nuys Boulevard in a bunnyfur jacket? I have an MBA. Oh, I knew all about money, except how to get my hands on some. I was out there making payments on a Honda Accord and keeping my little apartment off Chandler, just like everybody else.”
“And the big man saved you from yourself.”
She sighed. “Poor Mr. Fred. He had a heart attack last year. His brother got everything.” She shrugged her shoulders. “But what do you expect of a man who’ll eat three dinners in a row?”
I SAT AT MARVEL’S, watching them eat. They stared at the television the whole time, raising their forks to their lips like windup toys, oblivious to whether it was tuna casserole or cat food gratiné. I’d begun to cook, told Marvel I might want to become a chef, it was a good living for a woman. I was gaining weight. My ribs smoothed into the buttery flesh of my torso. I admired my breasts in the mirror, wished Ray could have seen them, cupped them in his mauled hands. I liked the way my body moved as I walked down the street. Marvel thought it was just my age, filling out, she called it. But that wasn’t it. I had been moving too fast. I had been too hungry to become a woman.
13
FULL-ON SUMMER fell like a hammer. By nine in the morning you could already start dreading how hot it was going to be. Olivia took me for rides in the Corvette, up the 101 and then out one of the canyons, Topanga, Kanan Dume, to the beach, then we’d cruise back down the coast highway, the wind against our skins bared to the sun, ignoring the shouts of men from other cars. I’d never felt so beautiful and unafraid.
Sometimes she’d make up a pitcher of rum punch and play Brazilian music on the stereo — Milton Nascimento, Gilberto Gil, Jobim. Astrud Gilberto sang interestingly flat, like she was half asleep in a hammock, singing to a child. We sat in the living room on the striped cotton daybed, the fans turning slowly overhead, eating mangos with ham and looking at Olivia’s pictures of Brazil. She pronounced the names of the cities in their hushing Portuguese: Rio de Janeiro, Itaparica, Recife, Ouro Prêto, Salvador. Pictures of colonial cities painted popsicle colors, black women in white dresses sending candles out to sea. Pictures of Olivia at Carnival, wearing a dress of silver tinsel slit up to the armpits, her hair feathery and wild. She held a white man’s hand, he was tanned and had flat blue eyes.
“You’d love Carnival,” she said. “You dance for three days straight.”
“I hate crowds,” I said, drunk on the rum punch she ’d made, sweet and heavy as a brick. “I’m always afraid I’m going to be crushed.”
“It happens,” Olivia said, nodding to the samba music. “You better not fall down at Carnival.”
After a