Who Cares [38]
failed to detect the bathos of his attitude, and merely thought that he was trying to be funny and not succeeding.
It so happened that over Palgrave's shoulder she could see the bold crayon drawing of Martin, brown and healthy and muscular, without an ounce of affectation, an unmistakable man with his nice irregular features and clean, merry eyes. There was strength and capability stamped all over him, and there was, as well, a pleasing sense of reliability which gained immediate confidence. With the sort of shock one gets on going into the fresh air from a steam-heated room, she realized the contrast between these two.
There is always something as unreal about handsome men as there is about Japanese gardens. Palgrave's hair was so scrupulously sleek and wiglike, his features so well-balanced and well-chosen, his wide-set eyes so large and long-lashed, and his fair, soft mustache so miraculously precise. His clothes, too, were a degree more than perfect. They were so right as to be a little freakish because they attracted as much attention as if they were badly cut. He was born for tea fights and winter resorts, to listen with a distrait half- smile to the gushing adulation of the oh-my-dear type of women.
He attracted Joan. She admired his assurance and polish and manners. With these three things even a man with a broken nose and a head bald as an egg can carry a beautiful woman to the altar. He was something new to her, too, and she found much to amuse her in his way of expressing himself. He observed, and sometimes crystallized his observations with a certain neatness. Also, and she made no bones about owning to it, his obvious attention flattered her. All the same, she was in the mood just then for Martin. He went better with the time of year, and there was something awfully companionable about his sudden laugh. She would have hailed his appearance at that moment with an outdoor cry.
It was bad luck for Palgrave, because he now knew definitely that in Joan he had found the girl who was to give him the great emotion.
She broke away from "The Spring Song" and swung into "D'ye Ken John Peel with His Coat So Gay?" It was Martin's favorite air. How often she had heard him shout it among the trees on his way to meet her out there on the edge of the woods where they had found each other. It was curious how her thoughts turned to Martin that night.
She left the piano in the middle of a bar. "One cigarette," she said, and held out a silver box.
Palgrave's hand closed tightly over her slim white arm. In his throat his heart was pumping. He spoke incoherently, like a man. "God," he said, "you--you take my breath away. You make my brain whirl. Why didn't you come out of your garden a year ago?"
He was acting, she thought, and she laughed. "My arm, I think," she said.
"No, mine. It's got to be mine. What's the good of beating about the bush?" He spoke with a queer hoarseness, and his hand shook.
She laughed again. He was trying his parlor tricks, as Hosack had called them one night at the Crystal Room, watching him greet a woman with both hands. What a joke to see what he would do if she pretended to be carried away. He might as well be made to pay for keeping her up. "Oh, Gilbert," she said, "what are you saying!" Her shyness and fright were admirable.
They added fuel to his fire. "What I've been waiting to say for years and never thought I should. I love you. You've just got me."
How often had he said those very words to other women! He did it surpassingly well. She continued to act. "Oh, Gilbert," she said in a low voice, "you mustn't. There's Alice." Two could play at his pet game.
"Yes, there is Alice. But what does that matter? I don't care, and you don't. Your motto is not to care. You're always saying so. I'm no more married to Alice than you are to Gray. They're accidents, both of them. I love you, I tell you." And he ran his hand up to her shoulder and bore down upon her. Where were his manners and polish and assurance? It was amazing to see the change in the man.
But she dodged
It so happened that over Palgrave's shoulder she could see the bold crayon drawing of Martin, brown and healthy and muscular, without an ounce of affectation, an unmistakable man with his nice irregular features and clean, merry eyes. There was strength and capability stamped all over him, and there was, as well, a pleasing sense of reliability which gained immediate confidence. With the sort of shock one gets on going into the fresh air from a steam-heated room, she realized the contrast between these two.
There is always something as unreal about handsome men as there is about Japanese gardens. Palgrave's hair was so scrupulously sleek and wiglike, his features so well-balanced and well-chosen, his wide-set eyes so large and long-lashed, and his fair, soft mustache so miraculously precise. His clothes, too, were a degree more than perfect. They were so right as to be a little freakish because they attracted as much attention as if they were badly cut. He was born for tea fights and winter resorts, to listen with a distrait half- smile to the gushing adulation of the oh-my-dear type of women.
He attracted Joan. She admired his assurance and polish and manners. With these three things even a man with a broken nose and a head bald as an egg can carry a beautiful woman to the altar. He was something new to her, too, and she found much to amuse her in his way of expressing himself. He observed, and sometimes crystallized his observations with a certain neatness. Also, and she made no bones about owning to it, his obvious attention flattered her. All the same, she was in the mood just then for Martin. He went better with the time of year, and there was something awfully companionable about his sudden laugh. She would have hailed his appearance at that moment with an outdoor cry.
It was bad luck for Palgrave, because he now knew definitely that in Joan he had found the girl who was to give him the great emotion.
She broke away from "The Spring Song" and swung into "D'ye Ken John Peel with His Coat So Gay?" It was Martin's favorite air. How often she had heard him shout it among the trees on his way to meet her out there on the edge of the woods where they had found each other. It was curious how her thoughts turned to Martin that night.
She left the piano in the middle of a bar. "One cigarette," she said, and held out a silver box.
Palgrave's hand closed tightly over her slim white arm. In his throat his heart was pumping. He spoke incoherently, like a man. "God," he said, "you--you take my breath away. You make my brain whirl. Why didn't you come out of your garden a year ago?"
He was acting, she thought, and she laughed. "My arm, I think," she said.
"No, mine. It's got to be mine. What's the good of beating about the bush?" He spoke with a queer hoarseness, and his hand shook.
She laughed again. He was trying his parlor tricks, as Hosack had called them one night at the Crystal Room, watching him greet a woman with both hands. What a joke to see what he would do if she pretended to be carried away. He might as well be made to pay for keeping her up. "Oh, Gilbert," she said, "what are you saying!" Her shyness and fright were admirable.
They added fuel to his fire. "What I've been waiting to say for years and never thought I should. I love you. You've just got me."
How often had he said those very words to other women! He did it surpassingly well. She continued to act. "Oh, Gilbert," she said in a low voice, "you mustn't. There's Alice." Two could play at his pet game.
"Yes, there is Alice. But what does that matter? I don't care, and you don't. Your motto is not to care. You're always saying so. I'm no more married to Alice than you are to Gray. They're accidents, both of them. I love you, I tell you." And he ran his hand up to her shoulder and bore down upon her. Where were his manners and polish and assurance? It was amazing to see the change in the man.
But she dodged