Willa Cather - Death Comes for the Archbishop [26]
The priest's house was white within and without, like all the Isleta houses, and was almost as bare as an Indian dwelling. The old man was poor, and too soft-hearted to press the pueblo people for pesos. An Indian girl cooked his beans and cornmeal mush for him, he required little else. The girl was not very skilful, he said, but she was clean about her cooking. When the Bishop remarked that everything in this pueblo, even the streets, seemed clean, the Padre told him that near Isleta there was a hill of some white mineral, which the Indians ground up and used as whitewash. They had done this from time immemorial, and the village had always been noted for its whiteness. A little talk with Father Jesus revealed that he was simple almost to childishness, and very superstitious. But there was a quality of golden goodness about him. His right eye was overgrown by a cataract, and he kept his head tilted as if he were trying to see around it. All his movements were to the left, as if he were reaching or walking about some obstacle in his path.
After coming to the house by way of a garden full of parrots, Father Latour was amused to find that the sole ornament in the Padre's poor, bare little sala was a wooden parrot, perched in a hoop and hung from one of the roof-logs. While Father Jesus was instructing his Indian girl in the kitchen, the Bishop took this carving down from its perch to examine it. It was cut from a single stick of wood, exactly the size of a living bird, body and tail rigid and straight, the head a little turned. The wings and tail and neck feathers were just indicated by the tool, and thinly painted. He was surprised to feel how light it was; the surface had the whiteness and velvety smoothness of very old wood. Though scarcely carved at all, merely smoothed into shape, it was strangely lifelike; a wooden pattern of parrots, as it were.
The Padre smiled when he found the Bishop with the bird in his hand.
"I see you have found my treasure! That, your Grace, is probably the oldest thing in the pueblo—older than the pueblo itself."
The parrot, Father Jesus said, had always been the bird of wonder and desire to the pueblo Indians. In ancient times its feathers were more valued than wampum and turquoises. Even before the Spaniards came, the pueblos of northern New Mexico used to send explorers along the dangerous and difficult trade routes down into tropical Mexico to bring back upon their bodies a cargo of parrot feathers. To purchase these the trader carried pouches full of turquoises from the Cerrillos hills near Santa Fé. When, very rarely, a trader succeeded in bringing back a live bird to his people, it was paid divine honours, and its death threw the whole village into the deepest gloom. Even the bones were piously preserved. There was in Isleta a parrot skull of great antiquity. His wooden bird he had bought from an old man who was much indebted to him, and who was about to die without descendants. Father Jesus had had his eye upon the bird for years. The Indian told him that his ancestors, generations ago, had brought it with them from the mother pueblo. The priest fondly believed that it was a portrait, done from life, of one of those rare birds that in ancient times were carried up alive, all the long trail from the tropics.
Father Jesus gave a good report of the Indians at Laguna and Ácoma. He used to go to those pueblos to hold services when he was younger, and had always found them friendly.
"At Ácoma," he said, "you can see something very holy. They have there a portrait of St. Joseph, sent to them by one of the Kings of Spain, long ago, and it has worked many miracles. If the season is dry, the Ácoma people take the picture down to their farms at Acomita, and it never fails to produce rain. They have rain when none falls in all the country, and they have crops when the Laguna Indians have none."
Chapter 2
JACINTO
Taking leave of Isleta and its priest early in the morning, Father Latour and his guide rode all day through the dry desert