Willa Cather - Death Comes for the Archbishop [54]
The stillness of the death chamber was suddenly broken when Trinidad Lucero knelt down before the crucifix on the wall to pray. His uncle, though all thought him asleep, began to struggle and cry out, "A thief! Help, help!" Trinidad retired quickly, but after that the old man lay with one eye open, and no one dared go near the crucifix.
About an hour before day-break the Padre's breathing became so painful that two of the men got behind him and lifted his pillows. The women whispered that his face was changing, and they brought their candles nearer, kneeling close beside his bed. His eyes were alive and had perception in them. He rolled his head to one side and lay looking intently down into the candlelight, without blinking, while his features sharpened. Several times his lips twitched back over his teeth. The watchers held their breath, feeling sure that he would speak before he passed,—and he did. After a facial spasm that was like a sardonic smile, and a clicking of breath in his mouth, their Padre spoke like a horse for the last time:
"Comete tu cola, Martínez, comete tu cola!" (Eat your tail, Martínez, eat your tail!) Almost at once he died in a convulsion.
After day-break Trinidad went forth declaring (and the Mexican women confirmed him) that at the moment of death Father Lucero had looked into the other world and beheld Padre Martínez in torment. As long as the Christians who were about that death-bed lived, the story was whispered in Arroyo Hondo.
When the floor of the priest's house was taken up, according to his last instructions, people came from as far as Taos and Santa Cruz and Mora to see the buckskin bags of gold and silver coin that were buried beneath it. Spanish coins, French, American, English, some of them very old. When it was at length conveyed to a Government mint and examined, it was valued at nearly twenty thousand dollars in American money. A great sum for one old priest to have scraped together in a country parish down at the bottom of a ditch.
Part 6
DOÑA ISABELLA
Chapter 1
DON ANTONIO
Bishop Latour had one very keen worldly ambition; to build in Santa Fé a cathedral which would be worthy of a setting naturally beautiful. As he cherished this wish and meditated upon it, he came to feel that such a building might be a continuation of himself and his purpose, a physical body full of his aspirations after he had passed from the scene. Early in his administration he began setting aside something from his meagre resources for a cathedral fund. In this he was assisted by certain of the rich Mexican rancheros, but by no one so much as by Don Antonio Olivares.
Antonio Olivares was the most intelligent and prosperous member of a large family of brothers and cousins, and he was for that time and place a man of wide experience, a man of the world. He had spent the greater part of his life in New Orleans and El Paso del Norte, but he returned to live in Santa Fé several years after Bishop Latour took up his duties there. He brought with him his American wife and a wagon train of furniture, and settled down to spend his declining years in the old ranch house just east of the town where he was born and had grown up. He was then a man of sixty. In early manhood he had lost his first wife; after he went to New Orleans he had married a second time, a Kentucky girl who had grown up among her relatives in Louisiana. She was pretty and accomplished, had been educated at a French convent, and had done much to Europeanize her husband. The refinement of his dress and manners, and his lavish