Wings of Fire - Charles Todd [11]
“This Rosamund, the mother—and stepmother—of all these children—”
“Rosamund Trevelyan, sir, whose family has owned the Hall since time out of mind. Her father’s only child. A lovely lady, sir, quite a beauty in her day. There’s a fine portrait of her up at the house, if they haven’t taken it away yet. If ever a woman deserved to be happy, it was that one. But sorrow seemed to be her lot. Still, to her dying day, nobody ever heard a harsh word from her. At her services, the rector spoke of the ‘light within,’ and she had that.” He smiled wistfully. “So few people do.”
“She’s—in one way or another—the key to this family, then. And to the house.”
“Aye, that’s true enough. Miss Rachel, now, she was Miss Rosamund’s first husband’s mece. Captain Marlowe, that was, Olivia’s father. Miss Rachel has been in and out of the house all her life. Mr. Hargrove, Miss Susannah’s husband, first came here when he was going on twelve, I’d say. Miss Rosamund had a string of race horses, most of them Irish bred, and more than a few bought from the Hargrove stables. Fine animals, they were, won dozens of prizes. As a lad I won more than a bob or two betting on them myself.”
“Who inherited the house when Rosamund died?”
“The house belonged to old Adrian Trevelyan, like I said. Miss Olivia’s grandfather. He left it to her, not her mother— no reflection on Miss Rosamund, you understand, but he wasn’t best pleased with her choice of third husband, and there’re some who say he left the house to Miss Olivia to keep it out of FitzHugh hands. Not to speak of the fact that Miss Olivia was a cripple and it was more likely that she’d have need of a home, unmarried and not apt to be. Í doubt anyone in the family—and certainly no one in the village— knew she was to become a famous poet.”
“Poet? Olivia Marlowe?”
“Aye. O. A. Manning, she was known as. I’ve never read any of her poems. Well, not much in my line, poetry. But the wife has, and she tells me it was very pretty.”
Pretty, thought Rutledge, was an understatement for O. A. Manning’s work. Haunting, lyrical, with undercurrents of dark humor at times, and subtle contrasts that caught people and emotions with such precision that lines stayed with you long afterward, like personal memories. She’d written about the war too, and he’d read some of those poems in the trenches, marveling that anyone could have captured so clearly what men felt out there in the bloody shambles of France. Could have found the courage to put it into words. He hadn’t known then that O. A. Manning was a woman.
But of course the Wings of Fire poems were different, and perhaps it was those that Dawlish’s wife knew. Love poems, and unlike the poems Shakespeare had written to his dark lady, these were light and warmth and beauty intermingled with such passion that they sang in the heart as you read them. Wings of Fire had touched him in a way that few things had.
Hamish growled, his voice a low rumble in the back of Rutledge’s mind. “Thought of your Jean, did you, as you read those lines? She’s no’ worthy of that kind of love! My Fiona was. She gave me the book before I took the troop train to London. They found it in my pocket, wet with my blood, when they dug out my corpse.”
Nearly choking on his tea, Rutledge coughed and said, “Leaving the suicides for the moment, none of the four at the house that last day had anything to gain from killing Stephen