Wings of Fire - Charles Todd [18]
Rutledge agreed with him there, but said nothing.
After a moment, Cormac FitzHugh sighed and then added more reasonably, “There’s no hope of deflecting you from this investigation?”
“Sorry. None.” He made no mention of the fact that the conclusions might well be the same as those the Inquest had reached. Or that so far he’d seen no evidence, heard no new information, to do more than he was already doing, asking general questions. Rutledge was more interested in where the other man’s mood was taking them.
Cormac seemed to argue something with himself and, reluctantly, to come to a decision. “All right, then, come in here; we needn’t stand in the hall like unwelcomed guests.” He led the way into the drawing room, looking with distaste at the closed curtains and the empty space over the mantel where a large portrait had hung. “I’m not used to the house like this. It was never empty in my childhood. Nor dark and dreary and full of sadness. But then my childhood has vanished, taking the memories with it, I suppose. Sit down, man.”
Rutledge took the chair across from his and wondered what this polished denizen of the City was about to tell him in such confidence.
It wasn’t what he expected.
“I’ve never told anyone of this. If you speak of it, I’ll deny I said it now. I’ll claim that you made it up in a desperate need for promotion or to build your reputation, whatever fits. Do you understand me? I can do you considerable harm, professionally.”
Rutledge got to his feet. “The Yard doesn’t respond to threats.”
“This isn’t a threat, God damn it! I’m trying to protect my family, and 1 have every right to do that. What I’m about to tell you is disturbing, unproved, and frighteningly true. But the murderer is already dead, and there’s no use in punishing the living, is there?”
“What are you talking about?” Rutledge asked, as Hamish growled a warning.
Cormac FitzHugh took a deep breath. He’d judged his man, he knew he was right, and he got on with it. “Olivia Marlowe—O. A. Manning—was a brilliant poet and a woman to whom life was a thing to be possessed, to be lived and worshipped and enjoyed. She was also a cold-blooded murderer.”
4
Rutledge stared at the man’s face, at the conviction and the pain there. He himself felt the shock, the onslaught of an unexpected grief. He hadn’t known the woman at all, but he’d known her poems. How could a soul that produced Wings of Fire be capable of wanton killing?
“Because,” Hamish shouted at him, “she knew the depths as well as the heights a man can reach! And it’s uncanny— I want no part of her!”
FitzHugh was watching him, acknowledging his reaction. His eyes were a very fine gray-blue in this light, clear and straightforward.
“Now you know why I’d stoop to any threat to protect what I’ve told you.”
“You’ve told me, but you haven’t convinced me,” Rut-ledge heard himself saying.
FitzHugh got up and went to the lacquered cabinet against the wall that led to the hall, and opened it. Rummaging around inside, he found two glasses and a cut-glass decanter of whiskey. “I don’t know about you, but I need this.” He held up the second glass, raising his eyebrows.
Rutledge nodded. Talking as he poured the whiskey and added soda, FitzHugh said, “I think she killed Nicholas. That it was a murder and suicide, not a double suicide. I don’t see Nicholas cravenly taking the easy way out. She must have tricked him. Although,