Wings of Fire - Charles Todd [20]
“An interesting story. But as you said, there’s no proof.”
“No. It could still do a great deal of harm, all the same. And there’s Richard.”
“The one in leading strings?”
“Yes, that’s right. He was lost on the moors when he was five. There was a family picnic, and he and Olivia went for a walk. She came back without him, and although we searched until dark and again through the night, with lamps brought from the nearest houses, we never found him. Or his body. He had simply disappeared.”
“And you think Olivia killed him, somehow hiding the body?”
“God knows. Speculation was rampant. Some said the gypsies had taken him. He was a handsome child, very fair and more like Rosamund than Nicholas, who was dark. Others believed he’d fallen down one of the old mine shafts. The point is, Olivia had walked away with him and Olivia came back without him. He may have wandered into one of those bottomless pools on the moors. Or he may have been thrown in. The pool nearest the picnic was dragged, with no luck. I wouldn’t have thought about Olivia killing him—if I hadn’t been a witness to Anne’s death. And that left only the two, you see, Olivia Marlowe and Nicholas Cheney. James Cheney died soon afterward. Cleaning his guns. That was the verdict at the inquest. I often wondered if it was grief over Richard that made him careless. He was distraught—they had to lash him to a horse to get him off the moors. Rosamund, Rosamund was always a pillar of strength. I’ll never forget her tramping through the darkness, lamp in hand, determined, silent, tears on her face, but not a single word did she speak. I went with her. I thought if anyone could find the boy, she might. She had this streak of—I don’t know—intuition. She hadn’t wanted to go on the picnic, but there were guests from Wells, and James thought it would please them. That haunted him to the end.”
“There’s still no proof,” Rutledge said, as Hamish took up the theme of intuition. Rutledge had nearly lost his own in the aftermath of war and in the struggle to regain his balance. Now he fought against the deep voice in his head, reminding him of the last time he’d used that intuition. Warwickshire. Not a time he wanted to dwell on. Instead, he said to FitzHugh, “You tell me these things, but they could all be lies. Someone else could have done the killings. Or they could have been accidents, misfortunes, not murder.”
FitzHugh drained his glass, then rose to set it on the mantelpiece. “As you say. But for God’s sake, man, bear it in mind, what I’ve told you. And don’t be the hero, don’t drag Olivia Marlowe or O. A. Manning or any of the rest of us through the tribulations of exposure. If I’m right, and Nicholas died at Olivia’s hand, let it go down as suicide. Can you do that much for us?”
“And Stephen FitzHugh? Your half brother?”
“He lost half of his foot in the war. He fell down worn stairs. But it was my fault, if you want the truth. When he stuck his head out the window to say that he would be no more than five minutes, I was impatient, I had a train to catch, and I told him that he’d damned well better make haste or we were leaving without him. And he did make haste. And he died. I’m still waking up at night in a cold sweat, trying to call back those words.”
“But he was the only family member who was against selling the house, as I understand it. Now it can be sold without any problems.”
“And I’m very likely to buy it,” Cormac FitzHugh said, reaching for Rutledge’s empty glass and setting it beside his own. “That’s what brought me down this morning. I’d toyed with the idea. I’m looking for a house in the country, but I was thinking of something closer to town than this. Now I feel guilty about the house as well. Letting it go out of the family. I can’t follow Stephen’s plan, I can’t turn it into a museum for O. A. Manning