of you and watch over you. Above all you must help me with Kate, and you must stay a little for her; nothing for a long time has happened to me so good as that you and she should have become friends. It’s beautiful; it’s great; it’s everything. What makes it perfect is that it should have come about through our dear delightful Susie, restored to me, after so many years, by such a miracle. No—that’s more charming to me than even your hitting it off with Kate. God has been good to one—positively; for I couldn’t, at my age, have made a new friend—undertaken, I mean, out of whole cloth, the real thing. It’s like changing one’s bankers—after fifty: one doesn’t do that. That’s why Susie has been kept for me, as you seem to keep people in your wonderful country, in lavender and pink paper—coming back at last as straight as out of a fairy-tale and with you as an attendant fairy.” Milly hereupon replied appreciatively that such a description of herself made her feel as if pink paper were her dress and lavender its trimming; but Aunt Maud wasn’t to be deterred by a weak joke from keeping it up. The young person under her protection could feel besides that she kept it up in perfect sincerity. She was somehow at this hour a very happy woman, and a part of her happiness might precisely have been that her affections and her views were moving as never before in concert. Unquestionably she loved Susie; but she also loved Kate and loved Lord Mark, loved their funny old host and hostess, loved every one within range, down to the very servant who came to receive Milly’s empty ice-plate-down, for that matter, to Milly herself, who was, while she talked, really conscious of the enveloping flap of a protective mantle, a shelter with the weight of an Eastern carpet. An Eastern carpet, for wishing-purposes of one’s own, was a thing to be on rather than under; still, however, if the girl should fail of breath it wouldn’t be, she could feel, by Mrs. Lowder’s fault. One of the last things she was afterwards to recall of this was Aunt Maud’s going on to say that she and Kate must stand together because together they could do anything. It was for Kate of course she was essentially planning; but the plan, enlarged and uplifted now, somehow required Milly’s prosperity too for its full operation, just as Milly’s prosperity at the same time involved Kate’s. It was nebulous yet, it was slightly confused, but it was comprehensive and genial, and it made our young woman understand things Kate had said of her aunt’s possibilities, as well as characterisations that had fallen from Susan Shepherd. One of the most frequent on the lips of the latter had been that dear Maud was a grand natural force.
—II—
A prime reason, we must add, why sundry impressions were not to be fully present to the girl till later on was that they yielded at this stage, with an effect of sharp supersession, to a detached quarter of an hour—her only one—with Lord Mark. “Have you seen the picture in the house, the beautiful one that’s so like you?”—he was asking that as he stood before her; having come up at last with his smooth intimation that any wire he had pulled and yet wanted not to remind her of wasn’t quite a reason for his having no joy at all.
“I’ve been through rooms and I’ve seen pictures. But if I’m ‘like’ anything so beautiful as most of them seemed to me—!” It needed in short for Milly some evidence which he only wanted to supply. She was the image of the wonderful Bronzino,ad which she must have a look at on every ground. He had thus called her off and led her away; the more easily that the house within was above all what had already drawn round her its mystic circle. Their progress meanwhile was not of the straightest; it was an advance, without haste, through innumerable natural pauses and soft concussions, determined for the most part by the appearance before them of ladies and gentlemen, singly, in couples, in clusters, who brought them to a stand with an inveterate “I say, Mark.” What they said she never quite made out; it was their all so domestically knowing