• Choose a category
• All
• Classic-Fiction

By Root 3565 0

lady had her transcendent view of the way the class in question were treated. Susan had read history, had read Gibbon and Froude and Saint-Simon;15 she had high lights as to the special allowances made for the class, and, since she saw them, when young, as effete and overtutored, inevitably ironic and infinitely refined, one must take it for amusing if she inclined to an indulgence verily Byzantine.ak If one could only be Byzantine!—wasn’t that what she insidiously led one on to sigh? Milly tried to oblige her—for it really placed Susan herself so handsomely to be Byzantine now. The great ladies of that race—it would be somewhere in Gibbon—were apparently not questioned about their mysteries. But oh poor Milly and hers! Susan at all events proved scarce more inquisitive than if she had been a mosaic at Ravenna. Susan was a porcelain monument to the odd moral that consideration might, like cynicism, have abysses. Besides, the Puritan finally disencumbered—! What starved generations wasn’t Mrs. Stringham, in fancy, going to make up for?

Kate Croy came straight to the hotel—came that evening shortly before dinner; specifically and publicly moreover, in a hansomthat, driven apparently very fast, pulled up beneath their windows almost with the clatter of an accident, a “smash.” Milly, alone, as happened, in the great garnished void of their sitting-room, where, a little, really, like a caged Byzantine, she had been pacing through the queer long-drawn almost sinister delay of night, an effect she yet liked—Milly, at the sound, one of the French windows standing open, passed out to the balcony that overhung, with pretensions, the general entrance, and so was in time for the look that Kate, alighting, paying her cabman, happened to send up to the front. The visitor moreover had a shilling back to wait for, during which Milly, from the balcony, looked down at her, and a mute exchange, but with smiles and nods, took place between them on what had occurred in the morning. It was what Kate had called for, and the tone was thus almost by accident determined for Milly before her friend came up. What was also, however, determined for her was, again, yet irrepressibly again, that the image presented to her, the splendid young woman who looked so particularly handsome in impatience, with the fine freedom of her signal, was the peculiar property of somebody else’s vision, that this fine freedom in short was the fine freedom she showed Mr. Densher. Just so was how she looked to him, and just so was how Milly was held by her—held as by the strange sense of seeing through that distant person’s eyes. It lasted, as usual, the strange sense, but fifty seconds; yet in so lasting it produced an effect. It produced in fact more than one, and we take them in their order. The first was that it struck our young woman as absurd to say that a girl’s looking so to a man could possibly be without connexions; and the second was that by the time Kate had got into the room Milly was in mental possession of the main connexion it must have for herself.

She produced this commodity on the spot—produced it in straight response to Kate’s frank “Well, what?” The enquiry bore of course, with Kate’s eagerness, on the issue of the morning’s scene, the great man’s latest wisdom, and it doubtless affected Milly a little as the cheerful demand for news is apt to affect troubled spirits when news is not, in one of the neater forms, prepared for delivery. She couldn’t have said what it was exactly that on the instant determined her; the nearest description of it would perhaps have been as the more vivid impression of all her friend took for granted. The contrast between this free quantity and the maze of possibilities through which, for hours, she had herself been picking her way, put on, in short, for the moment, a grossness that even friendly forms scarce lightened: it helped forward in fact the revelation to herself that she absolutely had nothing to tell. Besides which, certainly, there was something else—an influence at the particular juncture still more obscure. Kate