• Choose a category
• All
• Classic-Fiction

By Root 3534 0

mother who had spoken, who herself added, after a pause during which Milly took the reference as to a picture: “In the English style.” The three, pair of eyes had converged, and their possessors had for an instant rested, with the effect of a drop of the subject, on this last characterisation—with that, too, of a gloom not less mute in one of the daughters than murmured in the other. Milly’s heart went out to them while they turned their backs; she said to herself that they ought to have known her, that there was something between them they might have beautifully put together. But she had lost them also—they were cold; they left her in her weak wonder as to what they had been looking at. The “handsome” disposed her to turn—all the more that the “English style” would be the English school, which she liked; only she saw, before moving, by the array on the side facing her, that she was in fact among small Dutch pictures. The action of this was again appreciable—the dim surmise that it wouldn’t then be by a picture that the spring in the three ladies had been pressed. It was at all events time she should go, and she turned as she got on her feet. She had had behind her one of the entrances and various visitors who had come in while she sat, visitors single and in pairs—by one of the former of whom she felt her eyes suddenly held.

This was a gentleman in the middle of the place, a gentleman who had removed his hat and was for a moment, while he glanced, absently, as she could see, at the top tier of the collection, tapping his forehead with his pocket-handkerchief. The occupation held him long enough to give Milly time to take for granted-and a few seconds sufficed—that his face was the object just observed by her friends. This could only have been because she concurred in their tribute, even qualified; and indeed “the English style” of the gentleman—perhaps by instant contrast to the American—was what had had the arresting power. This arresting power, at the same time—and that was the marvel—had already sharpened almost to pain, for in the very act of judging the bared head with detachment she felt herself shaken by a knowledge of it. It was Merton Densher’s own, and he was standing there, standing long enough unconscious for her to fix him and then hesitate. These successions were swift, so that she could still ask herself in freedom if she had best let him see her. She could still reply to this that she shouldn’t like him to catch her in the effort to prevent it; and she might further have decided that he was too preoccupied to see anything had not a perception intervened that surpassed the first in violence. She was unable to think afterwards how long she had looked at him before knowing herself as otherwise looked at; all she was coherently to put together was that she had had a second recognition without his having noticed her. The source of this latter shock was nobody less than Kate Croy—Kate Croy who was suddenly also in the line of vision and whose eyes met her eyes at their next movement. Kate was but two yards off—Mr. Densher wasn’t alone. Kate’s face specifically said so, for after a stare as blank at first as Milly’s it broke into a far smile. That was what, wonderfully—in addition to the marvel of their meeting—passed from her for Milly; the instant reduction to easy terms of the fact of their being there, the two young women, together. It was perhaps only afterwards that the girl fully felt the connexion between this touch and her already established conviction that Kate was a prodigious person; yet on the spot she none the less, in a degree, knew herself handled and again, as she had been the night before, dealt with—absolutely even dealt with for her greater pleasure. A minute in fine hadn’t elapsed before Kate had somehow made her provisionally take everything as natural. The provisional was just the charm—acquiring that character from one moment to the other; it represented happily so much that Kate would explain on the very first chance. This left moreover—and that was the greatest wonder—all due margin