Wings of the Dove (Barnes & Noble Classi - Henry James [149]
Densher was to feel sure afterwards that Kate had had in these pleasantries no conscious, above all no insolent purpose of making light of poor Susan Shepherd’s property in their young friend—which property, by such remarks, was very much pushed to the wall; but he was also to know that Mrs. Stringham had secretly resented them, Mrs. Stringham holding the opinion, of which he was ultimately to have a glimpse, that all the Kate Croys in Christendom were but dust for the feet of her Milly. That, it was true, would be what she must reveal only when driven to her last entrenchments and well cornered in her passion—the rare passion of friendship, the sole passion of her little life save the one other, more imperturbably cerebral, that she entertained for the art of Guy de Maupassant.ao She slipped in the observation that her Milly was incapable of change, was just exactly, on the contrary, the same Milly; but this made little difference in the drift of Kate’s contention. She was perfectly kind to Susie: it was as if she positively knew her as handicapped for any disagreement by feeling that she, Kate, had “type,” and by being committed to admiration of type. Kate had occasion subsequently—she found it somehow—to mention to our young man Milly’s having spoken to her of this view on the good lady’s part. She would like—Milly had had it from her—to put Kate Croy in a book and see what she could so do with her. “Chop me up fine or serve me whole”—it was a way of being got at that Kate professed she dreaded. It would be Mrs. Stringham’s however, she understood, because Mrs. Stringham, oddly, felt that with such stuff as the strange English girl was made of, stuff that (in spite of Maud Manningham, who was full of sentiment) she had never known, there was none other to be employed. These things were of later evidence, yet Densher might even then have felt them in the air. They were practically in it already when Kate, waiving the question of her friend’s chemical change, wound up with the comparatively unobjectionable proposition that he must now, having missed so much, take them all up, on trust, further on. He met it peacefully, a little perhaps as an example to Mrs. Stringham—“ Oh as far on as you like!” This even had its effect: Mrs. Stringham appropriated as much of it as might be meant for herself. The nice thing about her was that she could measure how much; so that by the time dinner was over they had really covered ground.
—IV—
The younger of the other men, it afterwards appeared, was most in his element at the piano; so that they had coffee and comic songs upstairs—the gentlemen, temporarily relinquished, submitting easily in this interest to Mrs. Lowder’s parting injunction not to sit too tight. Our especial young man sat tighter when restored to the drawing-room; he made it out perfectly with Kate that they might, off and on, foregather without offence. He had perhaps stronger needs in this general respect than she; but she had better names for the scant risks to which she consented. It was the blessing of a big house that intervals were large and, of an August night, that windows were open; whereby, at a given moment, on the wide balcony, with the songs sufficiently sung, Aunt Maud could hold her little court more freshly. Densher and Kate, during these moments, occupied side by side a small sofa—a luxury formulated by the latter as the proof, under criticism, of their remarkably good conscience. “To seem not to know each other—once you’re here—would be,” the girl said, “to overdo it”; and she arranged it charmingly that they must have some passage to put Aunt Maud off the scent. She would be wondering otherwise what in the world they found their account in. For Densher, none the less, the profit of snatched moments, snatched contacts, was partial and