Wings of the Dove (Barnes & Noble Classi - Henry James [224]
Such as it was, at any rate, Densher shook it off with the more impatience that he was independently restless. He had to walk in spite of weather, and he took his course, through crooked ways, to the Piazza, where he should have the shelter of the galleries. Here, in the high arcade, half Venice was crowded close, while, on the Molo, at the limit of the expanse, the old columns of the Saint Theodore and of the Lion were the frame of a door wide open to the storm. It was odd for him, as he moved, that it should have made such a difference—if the difference wasn’t only that the palace had for the first time failed of a welcome. There was more, but it came from that; that gave the harsh note and broke the spell. The wet and the cold were now to reckon with, and it was to Densher precisely as if he had seen the obliteration, at a stroke, of the margin on a faith in which they were all living. The margin had been his name for it—for the thing that, though it had held out, could bear no shock. The shock, in some form, had come, and he wondered about it while, threading his way among loungers as vague as himself, he dropped his eyes sightlessly on the rubbish in shops. There were stretches of the gallery paved with squares of red marble, greasy now with the salt spray; and the whole place, in its huge elegance, the grace of its conception and the beauty of its detail, was more than ever like a great drawing-room, the drawing-room of Europe, profaned and bewildered by some reverse of fortune. He brushed shoulders with brown men whose hats askew, and the loose sleeves of whose pendent jackets, made them resemble melancholy maskers. The tables and chairs that overflowed from the cafés were gathered, still with a pretense of service, into the arcade, and here and there a spectacled German, with his coat-collar up, partook publicly of food and philosophy. These were impressions for Densher too, but he had made the whole circuit thrice before he stopped short, in front of Florian’s with the force of his sharpest. His eye had caught a face within the café—he had spotted an acquaintance behind the glass. The person he had thus paused long enough to look at twice was seated, well within range, at a small table on which a tumbler, half-emptied and evidently neglected, still remained; and though he had on his knee, as he leaned back, a copy of a French newspaper—the heading of the Figaro was visible—he stared straight before him at the little opposite rococo wall. Densher had him for a minute in profile, had him for a time during which his identity produced, however quickly, all the effect of establishing connexions—connexions startling and direct; and then, as if it were the one thing