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Wings of the Dove (Barnes & Noble Classi - Henry James [250]

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dear, that I’m with you to the end!” his meeting her halfway had been the only course open to him. She was with him to the end—or she might be—in a way Kate wasn’t; and even if it literally made her society meanwhile more soothing he must just brush away the question of why it shouldn’t. Was he professing to her in any degree the possession of an aftersense that wasn’t real? How in the world could he, when his aftersense, day by day, was his greatest reality? Such only was at bottom what there was between them, and two or three times over it made the hour pass. These were occasions—two and a scrap-on which he had come and gone without mention of Kate. Now that almost as never yet he had license to ask for her, the queer turn of their affair made it a false note. It was another queer turn that when he talked with Aunt Maud about Milly nothing else seemed to come up. He called upon her almost avowedly for that purpose, and it was the queerest turn of all that the state of his nerves should require it. He liked her better; he was really behaving, he had occasion to say to himself, as if he liked her best. The thing was absolutely that she met him halfway. Nothing could have been broader than her vision, than her loquacity, than her sympathy. It appeared to gratify, to satisfy her to see him as he was; that too had its effect. It was all of course the last thing that could have seemed on the cards, a change by which he was completely free with this lady; and it wouldn’t indeed have come about if—for another monstrosity—he hadn’t ceased to be free with Kate. Thus it was that on the third time in especial of being alone with her he found himself uttering to the elder woman what had been impossible of utterance to the younger. Mrs. Lowder gave him in fact, on the ground of what he must keep from her, but one uneasy moment. That was when, on the first Sunday, after Kate had suppressed herself, she referred to her regret that he mightn’t have stayed to the end. He found his reason difficult to give her, but she came after all to his help.

“You simply couldn’t stand it?”

“I simply couldn’t stand it. Besides you see—!” But he paused.

“Besides what?” He had been going to say more—then he saw dangers; luckily however she had again assisted him. “Besides—oh I know!—men haven’t, in many relations, the courage of women.”

“They haven’t the courage of women.”

“Kate or I would have stayed,” she declared—“if we hadn’t come away for the special reason that you so frankly appreciated.”

Densher had said nothing about his appreciation: hadn’t his behaviour since the hour itself sufficiently shown it? But he presently said—he couldn’t help going so far: “I don’t doubt, certainly, that Miss Croy would have stayed.” And he saw again into the bargain what a marvel was Susan Shepherd. She did nothing but protect him—she had done nothing but keep it up. In copious communication with the friend of her youth she had yet, it was plain, favored this lady with nothing that compromised him. Milly’s act of renouncement she had described but as a change for the worse; she had mentioned Lord Mark’s descent, as even without her it might be known, so that she mustn’t appear to conceal it; but she had suppressed explanations and connexions, and indeed, for all he knew, blessed Puritan soul, had invented commendable fictions. Thus it was absolutely that he was at his ease. Thus it was that, shaking for ever, in the unrest that didn’t drop, his crossed leg, he leaned back in deep yellow satin chairs and took such comfort as came. She asked, it was true, Aunt Maud, questions that Kate hadn’t; but this was just the difference, that from her he positively liked them. He had taken with himself on leaving Venice the resolution to regard Milly as already dead to him—that being for his spirit the only thinkable way to pass the time of waiting. He had left her because it was what suited her, and it wasn’t for him to go, as they said in America, behind this; which imposed on him but the sharper need to arrange himself with his interval. Suspense was the ugliest ache

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