Wings of the Dove (Barnes & Noble Classi - Henry James [63]
For the figure to which these questions attached themselves she had found a convenient description—she thought of it for herself always as that of a girl with a background. The great reality was in the fact that, very soon, after but two or three meetings, the girl with the background, the girl with the crown of old gold and the mourning that was not as the mourning of Boston, but at once more rebellious in its gloom and more frivolous in its frills, had told her she had never seen any one like her. They had met thus as opposed curiosities, and that simple remark of Milly’s—if simple it was—became the most important thing that had ever happened to her; it deprived the love-interest, for the time, of actuality and even of pertinence; it moved her first, in short, in a high degree, to gratitude, and then to no small compassion. Yet in respect to this relation at least it was what did prove the key of knowledge; it lighted up as nothing else could do the poor young woman’s history. That the potential heiress of all the ages should never have seen any one like a mere typical subscriber, after all, to the Transcript was a truth that—in especial as announced with modesty, with humility, with regret—described a situation. It laid upon the elder woman, as to the void to be filled, a weight of responsibility; but in particular it led her to ask whom poor Mildred had then seen, and what range of contacts it had taken to produce such queer surprises. That was really the enquiry that had ended by clearing the air: the key of knowledge was felt to click in the lock from the moment it flashed upon Mrs. Stringham that her friend had been starved for culture. Culture was what she herself represented for her, and it was living up to that principle that would surely prove the great business. She knew, the clever lady, what the principle itself represented, and the limits of her own store; and a certain alarm would have grown upon her if something else hadn’t grown faster. This was, fortunately for her—and we give it in her own words—the sense of a harrowing pathos. That, primarily, was what appealed to her, what seemed to open the door of romance for her still wider than any, than a still more reckless, connexion with the “picture-papers.” For such was essentially the point: it was rich, romantic, abysmal, to have, as was evident, thousands and thousands a year, to have youth and intelligence and, if not beauty, at least in equal measure a high dim charming ambiguous oddity, which was even better, and then on top of all to enjoy boundless freedom, the freedom of the wind in the desert—it was unspeakably touching to be so equipped and yet to have been reduced by fortune to little humble-minded mistakes.
It brought our friend’s imagination back again to New York, where aberrations were so possible in the intellectual sphere, and it in fact caused a visit she presently paid there to overflow with interest. As Milly had beautifully invited her, so she would hold out if she could against the strain of so much confidence in her mind; and the remarkable thing was that even at the end of three weeks she had held out. But by this time her mind had grown comparatively bold and free; it was dealing with new quantities, a different proportion altogether—and that had made for refreshment: she had accordingly gone home in convenient possession of her subject. New York was vast, New York was startling, with strange histories, with wild cosmopolite backward generations that accounted for anything; and to have got nearer the luxuriant tribe of which the rare creature was the final flower, the immense extravagant unregulated cluster, with free-living ancestors, handsome dead cousins, lurid uncles, beautiful vanished aunts, persons all busts and curls, preserved, though so exposed, in the marble