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Winterkill - C. J. Box [36]

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on the photographer, appeared under a headline that stated LOCAL MAN ARRESTED IN USFS SUPERVISOR MURDER. An old photo of Lamar Gardiner, looking particularly chinless, was inserted within the text. There was also a photo of Melinda Strickland, and she was quoted extensively throughout the article. Joe learned new information that Barnum had not passed along to him.

In addition to the compound bow found at Romanowski’s home near the river, the DCI investigators had found two Bonebuster-brand broadhead arrows in a quiver, as well as a credit-card receipt for the purchase of four. Also found in the stone house were copies of letters Romanowski had sent to Lamar Gardiner protesting the closure of specific Forest Service roads that Romanowski claimed he used for accessing falcon traps and for hunting. With the account by the rancher placing Romanowski near the scene, the apparent murder weapon, the specific arrows, and the letters providing a motive, Melinda Strickland had “strongly speculated” that justice had been served.

The additional evidence was incriminating, Joe thought, and furthered the case against Romanowski. In a way, it surprised him. The doubts that he’d had when he saw Romanowski up close still nagged at him. But Joe had thought more about it over the past few days, and a few explanations had arisen. One, Joe recognized a tendency in himself to assume morality and rationality in others because he aspired to those qualities himself. Joe knew that if he was guilty of a murder, he certainly wouldn’t be able to hide it. Hell, he’d confess to Marybeth so fast he’d leave skid marks. So Joe assumed others, even bad guys, would possess at least some of the same rationality and guilt, and that the guilt would be obvious in some way. But a person capable of the kind of cruelty that surrounded Lamar Gardiner’s murder might not be rational at all, or even feel guilt in a conventional sense. Murderers and molesters of children were beyond Joe’s comprehension, for example. And to assume that morality or guilt played a role in the mind of a molester was simply naïve. Maybe he was just as naïve about Nate Romanowski.

Two, Joe had followed his instincts before on occasions when it was later discovered that there was more to a crime than the obvious. This couldn’t be the case every time, he conceded. Years ago, Barnum had told Joe that sometimes things are exactly what they seem. In the case in question then, Barnum had turned out to be wrong. But there was truth in that statement and Joe knew he needed to recognize it.

Nate Romanowski was not an average citizen, after all. He was a loner with a mysterious past and present. He lived alone, trained hawks, and carried a huge pistol. He was feared and talked about, but no one could really say why, except for his manner. He was just someone who seemed suspect from the start.

“This is only the beginning,” Melinda Strickland was quoted near the end of the article. “The antigovernment movement that resulted in Lamar Gardiner’s tragic murder still exists. Mr. Romanowski was merely a soldier. Our investigation, and my task force, will continue.”

Joe had been troubled by that, just as he had been troubled when she first brought up the prospect to him. Unless he had been stubbornly oblivious—a possibility, he conceded—he could not see the “antigovernment” threat she seemed so sure of. Certainly, there were hunters, loggers, cattlemen, and now, apparently, outlaw falconers, who objected to some forest-service policies. But the opposition wasn’t violent, or even organized, as far as Joe Pickett could tell. He wondered if Melinda Strickland headed up a federal task force in search of a task. And he wondered how long she would remain in Twelve Sleep County.

Ten

The first thing Joe saw as he approached the Battle Mountain campground were the strands of barbed wire strung through the timber and stapled into the trunks of trees. There were several signs, two of them nailed over the top of the ubiquitous dark-brown Forest Service signs identifying the campground. Hand-painted in crude

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