Wizard and glass - Stephen King [188]
She turned back to the ball and began to make passes above it, but the glass only continued to swirl with bright pink light—not a single image appeared. Rhea got up at last, went to the door, threw it open, and looked out on the night sky. Now the moon had waxed a little past the half, and the Huntress was coming clear on its bright face. Rhea directed the stream of foul language she didn’t quite dare to direct at the glass (who knew what entity might lurk inside it, waiting to take offense at such talk?) up at the woman in the moon. Twice she slammed her bony old fist into the door-lintel as she cursed, dredging up every dirty word she could think of, even the potty-mouth words children throw at each other in the dust of the play yard. Never had she been so angry. She had given the girl a command, and the girl, for whatever reasons, had disobeyed. For standing against Rhea of the Cöos, the bitch deserved to die.
“But not right away,” the old woman whispered. “First she should be rolled in the dirt, then pissed on until the dirt’s mud and her fine blonde hair’s full of it. Humiliated . . . hurt . . . spat on . . .”
She slammed her fist against the door’s side again, and this time blood flew from the knuckles. It wasn’t just the girl’s failure to obey the hypnotic command. There was another matter, related but much more serious: Rhea herself was now too upset to use the glass, except for brief and unpredictable periods of time. The hand-passes she made over it and the incantations she muttered to it were, she knew, useless; the words and gestures were just the way she focused her will. That was what the glass responded to—will and concentrated thought. Now, thanks to the trollop of a girl and her boy lover, Rhea was too angry to summon the smooth concentration needed to part the pink fog which swirled inside the ball. She was, in fact, too angry to see.
“How can I make it like it was?” Rhea asked the half-glimpsed woman in the moon. “Tell me! Tell me!” But the Huntress told her nothing, and at last Rhea went back inside, sucking at her bleeding knuckles.
Musty saw her coming and squeezed into the cobwebby space between the woodpile and the chimney.
CHAPTER II
THE GIRL AT
THE WINDOW
1
Now the Huntress “filled her belly,” as the old-timers said—even at noon she could be glimpsed in the sky, a pallid vampire woman caught in bright autumn sunlight. In front of businesses such as the Travellers’ Rest and on the porches of such large ranch houses as Lengyll’s Rocking B and Renfrew’s Lazy Susan, stuffy-guys with heads full of straw above their old overalls began to appear. Each wore his sombrero; each held a basket of produce cradled in his arms; each looked out at the emptying world with stitched white-cross eyes.
Wagons filled with squashes clogged the roads; bright orange drifts of pumpkins and bright magenta drifts of sharproot lay against the sides of barns. In the fields, the potato-carts rolled and the pickers followed behind. In front of the Hambry Mercantile, reap-charms appeared like magic, hanging from the carved Guardians like wind-chimes.
All over Mejis, girls sewed their Reaping Night costumes (and sometimes wept over them, if the work went badly) as they dreamed of the boys they would dance with in the Green Heart pavillion. Their little brothers began to have trouble sleeping as they thought of the rides and the games and the prizes they might win at the carnival. Even their elders sometimes lay awake in spite of their sore hands and aching backs, thinking about the pleasures of the Reap.
Summer had slipped away with a final flirt of her greengown; harvest-time had arrived.
2
Rhea cared not a fig for Reaping dances or carnival games, but she could no more sleep than those who did. Most nights she lay on her stinking pallet