Wolves of the Calla - Stephen King [219]
“Nope,” says Walter, the man in black. “I can’t go for that, no can do.” He holds the box out toward Callahan. At the same time he reaches over the top of it and grasps the lid.
“Don’t!” Callahan says sharply. Because the man in the black robe mustn’t open the box. There’s something terrible inside the box, something that would terrify even Barlow, the wily vampire who forced Callahan to drink his blood and then sent him on his way into the prisms of America like a fractious child whose company has become tiresome.
“Keep moving and perhaps I won’t have to,” Walter teases.
Callahan backs into the stable’s scant shadow. Soon he’ll be inside again. No help for it. And he can feel that strange only-there-on-one-side door waiting like a weight. “You’re cruel!” he bursts out.
Walter’s eyes widen, and for a moment he looks deeply hurt. This may be absurd, but Callahan is looking into the man’s deep eyes and feels sure the emotion is nonetheless genuine. And the surety robs him of any last hope that all this might be a dream, or a final brilliant interval before true death. In dreams—his, at least—the bad guys, the scary guys, never have complex emotions.
“I am what ka and the King and the Tower have made me. We all are. We’re caught.”
Callahan remembers the dream-west through which he traveled: the forgotten silos, the neglected sunsets and long shadows, his own bitter joy as he dragged his trap behind him, singing until the jingle of the very chains that held him became sweet music.
“I know,” he says.
“Yes, I see you do. Keep moving.”
Callahan’s back in the stable now. Once again he can smell the faint, almost exhausted aroma of old hay. Detroit seems impossible, a hallucination. So do all his memories of America.
“Don’t open that thing,” Callahan says, “and I will.”
“What an excellent Faddah you are, Faddah.”
“You promised not to call me that.”
“Promises are made to be broken, Faddah.”
“I don’t think you’ll be able to kill him,” Callahan said.
Walter grimaces. “That’s ka’s business, not mine.”
“Maybe not ka, either. Suppose he’s above ka?”
Walter recoils, as if struck. I’ve blasphemed, Callahan thinks. And with this guy, I’ve an idea that’s no mean feat.
“No one’s above ka, false priest,” the man in black spits at him. “And the room at the top of the Tower is empty. I know it is.”
Although Callahan is not entirely sure what the man is talking about, his response is quick and sure. “You’re wrong. There is a God. He waits and sees all from His high place. He—”
Then a great many things happen at exactly the same time. The water pump in the alcove goes on, starting its weary thudding cycle. And Callahan’s ass bumps into the heavy, smooth wood of the door. And the man in black thrusts the box forward, opening it as he does so. And his hood falls back, revealing the pallid, snarling face of a human weasel. (It’s not Sayre, but upon Walter’s forehead like a Hindu caste-mark is the same welling red circle, an open wound that never clots or flows.) And Callahan sees what’s inside the box: he sees Black Thirteen crouched on its red velvet like the slick eye of a monster that grew outside God’s shadow. And Callahan begins to shriek at the sight of it, for he senses its endless power: it may fling him anywhere or to the farthest blind alley of nowhere. And the door clicks open. And even in his panic—or perhaps below his panic—Callahan is able to think Opening the box has opened the door. And he is stumbling backward into some other place. He can hear shrieking voices. One of them is Lupe’s, asking Callahan why Callahan let him die. Another belongs to Rowena Magruder and she is telling him this is his other life, this is it, and how does he like it? And his hands come up to cover his ears even as one ancient boot trips over the other and he begins to fall backward, thinking it’s Hell the man in black has pushed him into, actual Hell. And when his hands come up, the weasel-faced man thrusts the open box with its terrible glass ball into them. And the ball moves. It rolls like an actual