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Woman and Labour [76]

By Root 1001 0
not by conflicting conceptions of right and wrong, of the desirable and undesirable, in all branches of human life. (Only those who have been thrown into contact with a stationary and homogeneous society such as that of primitive African tribes before coming in contact with Europeans; or such as the up-country Boers of South Africa were twenty years ago, can realise adequately how wholly free from moral and social problems and social friction such a society can be. It is in studying such societies that the truth is vividly forced on one, that the key to half, and more than half, of the phenomena in our own social condition, can be found only in our rapidly changing conditions necessitating equally rapid change in our conceptions, ideals, and institutions.)

Thirdly, the unrest and suffering peculiar to our age is caused by conflict going on within the individual himself. So intensely rapid is the change which is taking place in our environment and knowledge that in the course of a single life a man may pass through half a dozen phases of growth. Born and reared in possession of certain ideas and manners of action, he or she may, before middle life is reached, have had occasion repeatedly to modify, enlarge, and alter, or completely throw aside those traditions. Within the individuality itself of such persons, goes on, in an intensified form, that very struggle, conflict, and disco-ordination which is going on in society at large between its different members and sections; and agonising moments must arise, when the individual, seeing the necessity for adopting new courses of action, or for accepting new truths, or conforming to new conditions, will yet be tortured by the hold of traditional convictions; and the man or woman who attempts to adapt their life to the new material conditions and to harmony with the new knowledge, is almost bound at some time to rupture the continuity of their own psychological existence.

It is these conditions which give rise to the fact so often noticed, that the art of our age tends persistently to deal with subtle social problems, religious, political, and sexual, to which the art of the past holds no parallel; and it is so inevitably, because the artist who would obey the artistic instinct to portray faithfully the world about him, must portray that which lies at the core of its life. The "problem" play, novel, and poem are as inevitable in this age, as it was inevitable that the artist of the eleventh century should portray tournaments, physical battles, and chivalry, because they were the dominant element in the life about him.

It is also inevitable that this suffering and conflict must make itself felt in its acutest form in the person of the most advanced individual of our societies. It is the swimmer who first leaps into the frozen stream who is cut sharpest by the ice; those who follow him find it broken, and the last find it gone. It is the man or woman who first treads down the path which the bulk of humanity will ultimately follow, who must find themselves at last in solitudes where the silence is deadly. The fact that any course of human action leading to adjustment, leads also to immediate suffering, by dividing the individual from the bulk of his fellows; is no argument against it; that solitude and suffering is the crown of thorns which marks the kingship of earth's Messiahs: it is the mark of the leader.

Thus, social disco-ordination, and subjective conflict and suffering, pervade the life of our age, making themselves felt in every division of human life, religious, political, and domestic; and, if they are more noticeable, and make themselves more keenly felt in the region of sex than in any other, even the religious, it is because when we enter the region of sex we touch, as it were, the spinal cord of human existence, its great nerve centre, where sensation is most acute, and pain and pleasure most keenly felt. It is not sex disco-ordination that is at the root of our social unrest; it is the universal disco-ordination which affects even the world of
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