Women in Love (Barnes & Noble Classics S - D. H. Lawrence [139]
Immediately he saw the firm, he realised what he could do. He had a fight to fight with Matter, with the earth and the coal it enclosed. This was the sole idea, to turn upon the inanimate matter of the underground, and reduce it to his will. And for this fight with matter, one must have perfect instruments in perfect organisation, a mechanism so subtle and harmonious in its workings that it represents the single mind of man, and by its relentless repetition of given movement will accomplish a purpose irresistibly, inhumanly. It was this inhuman principle in the mechanism he wanted to construct that inspired Gerald with an almost religious exaltation. He, the man, could interpose a perfect, changeless, godlike medium between himself and the Matter he had to subjugate. There were two opposites, his will and the resistant Matter of the earth. And between these he could establish the very expression of his will, the incarnation of his power, a great and perfect machine, a system, an activity of pure order, pure mechanical repetition, repetition ad infinitum, hence eternal and infinite. He found his eternal and his infinite in the pure machine-principle of perfect coordination into one pure, complex infinitely repeated motion, like the spinning of a wheel; but a productive spinning, as the revolving of the universe may be called a productive spinning, a productive repetition through eternity, to infinity. And this is the God-motion, this productive repetition ad infinitum. And Gerald was the God of the machine, Deus ex Machina. And the whole productive will of man was the Godhead.
He had his life-work now, to extend over the earth a great and perfect system in which the will of man ran smooth and unthwarted, timeless, a Godhead in process. He had to begin with the mines. The terms were given: first the resistant Matter of the underground; then the instruments of its subjugation, instruments human and metallic; and finally his own pure will, his own mind. It would need a marvellous adjustment of myriad instruments, human, animal, metallic, kinetic, dynamic, a marvellous casting of myriad tiny wholes into one great perfect entirety. And then, in this case there was perfection attained, the will of the highest was perfectly fulfilled, the will of mankind was perfectly enacted; for was not mankind mystically contradistinguished against inanimate Matter, was not the history of mankind just the history of the conquest of the one by the other?
The miners were overreached. While they were still in the toils of divine equality of man, Gerald had passed on, granted essentially their case, and proceeded in his quality of human being to fulfil the will of mankind as a whole. He merely represented the miners in a higher sense when he perceived that the only way to fulfil perfectly the will of man was to establish the perfect, inhuman machine. But he represented them very essentially, they were far behind, out of date, squabbling for their material equality. The desire had already transmuted into this new and greater desire, for a perfect intervening mechanism between man and Matter, the desire to translate the Godhead into pure mechanism.
As soon as Gerald entered the firm, the convulsion of death ran through the old system. He had all his life been tortured by a furious and destructive demon, which possessed him sometimes like an insanity. This temper now entered like a virus into the firm, and there were cruel eruptions. Terrible and inhuman were his examinations into every detail; there was no privacy he would spare, no old sentiment but he would turn it over. The old grey managers, the old grey clerks, the doddering old pensioners, he looked at them, and removed them as so much lumber. The whole concern seemed like a hospital of invalid employees. He had no emotional qualms. He arranged what pensions were necessary, he looked for efficient substitutes, and when these were found, he substituted them for the old hands.
“I’ve a pitiful letter here from Letherington,” his father would say, in a tone of deprecation