Work Song - Ivan Doig [15]
“Spoken like a high priestess of the plain truth, Rose—I mean Grace.”
Before my embarrassment could pool on the table, Grace gave my slip of the tongue the gentlest of treatment. “Whoever she was, was she as pretty as her name?”
“Every bit.”
“Maybe it was worth some Down Under, then,” she left me with, rising and reaching for her apron. “It’s nearly noon, I have a meal to fix or the three of you will have to go in the yard and graze.”
THOSE INITIAL WEEKS, the job of cryer was an introduction to Butte, definitely, although hardly the one I had sought. Life at the mortuary remained, well, creepy. First of all, there was usually someone dead on the premises, in one room or another. And the wage, while steady enough, was not one of the Hill’s swiftest paths to riches; Creeping Pete’s ledger was always going to be tipped in his favor, not mine.
What disquieted me more than either of those was that question of shadows. Was it a trick of the darkness and the bootleg rye? The occasional night when I managed to slip away from the conviviality of a Dublin Gulch coffin vigil long enough to dump my drink in the kitchen slop bucket, the shadows on the way home perhaps behaved less like lurking black furies; but they never quite vanished. Something quivers in a person at such times, like a tuning fork set off by phantom touch. You look back along a darkened street that is suddenly limitless and whatever is there keeps eyeing you hungrily. Watching over my shoulder as I zigzagged to the boardinghouse after each wake, I had to wonder whether an old loss was catching up with me. Every footfall, it seemed, brought the thought of my brother and the cold lake waters that took him.
Not all haunting is mere superstition. I’d noticed a certain look in Grace’s eyes whenever Griffith and Hooper got going on the evils of Anaconda and the Speculator fire and its perished miners; at such moments Arthur Faraday left his matrimonial picture frame and came to her side, I would have wagered.
One of those suppertimes, as Griff and Hoop hobbled off to their own pursuits, I spoke up as she somberly cleared away the dishes.
“May I be of help?”
She took so long to answer, I wondered if she considered the question hypothetical. But then she looked over with a flicker of interest and said, “You can dry, if you don’t have dropsy.”
Following her into the kitchen, I took up a dish towel. “As Marco Polo said, I know my way around china. I did dishes at the Palmer House between school terms.”
“It seems there is no end to your talents,” Grace said with exaggerated wonder, making room for me at the sink. It had been a long while since I settled in side by side with a woman to such a chore. With her braid tucked back and her sleeves rolled up, she was an aproned vision of efficiency at her dishpan task. Still, I could tell something troubled her. I asked, “Have the glory hole grabbers been giving you a bad time again?”
She shook her head. “No, it’s not that. It’s our anniversary. Arthur’s and mine.” Slowly washing a plate, she went on: “Seven years ago today we were married. I don’t know why this year bothers me so much.” She looked cross with herself. “I’m sorry, Morrie, I didn’t mean to mope.”
“Grief sometimes goes by numbers,” I suggested gently. “Seven, that’s the copper anniversary.”
“I might have known you’d have the answer, you schoolbook.” She flicked a few drops of dishwater at me. “I’ll simmer down, I promise.” By now I was well aware she could also simmer up faster than the law of heat transfer ever predicated, but I was learning to weather that. It seemed worth it for the glimpses of the woman behind the landlady veneer. When something serious was not on her mind, she had the best smile, bright and teasing. That came out again now as she glanced at me and the dimple did sly work. “Let’s fish around in you, for a change. Off on a toot again tonight, are you?”
“Grace, it is my job. I seem to recall you being all for it.”
“Anyone who runs a boardinghouse needs to be in favor of whatever a lodger does to come up with the rent.